| Kirk Douglas | ... | Det. James 'Jim' McLeod | |
| Eleanor Parker | ... | Mary McLeod | |
| William Bendix | ... | Det. Lou Brody | |
| Cathy O'Donnell | ... | Susan Carmichael | |
| George Macready | ... | Karl Schneider | |
| Horace McMahon | ... | Lt. Monaghan | |
| Gladys George | ... | Miss Hatch | |
| Joseph Wiseman | ... | Charley Gennini | |
| Lee Grant | ... | Shoplifter | |
| Gerald Mohr | ... | Tami Giacoppetti | |
| Frank Faylen | ... | Det. Gallagher | |
| Craig Hill | ... | Arthur Kindred | |
| Michael Strong | ... | Lewis Abbott | |
| Luis Van Rooten | ... | Joe Feinson | |
| Bert Freed | ... | Det. Dakis | |
| Warner Anderson | ... | Endicott Sims | |
| Grandon Rhodes | ... | Det. O'Brien | |
| William 'Bill' Phillips | ... | Det. Pat Callahan | |
| Russell Evans | ... | Patrolman Barnes | |
| rest of cast listed alphabetically: | |||
| Charles D. Campbell | ... | Newspaper photographer (uncredited) | |
| Edmund Cobb | ... | Ed (uncredited) | |
| Ann Codee | ... | French woman (uncredited) | |
| Catherine Doucet | ... | Mrs. Farragut (uncredited) | |
| Pat Flaherty | ... | Desk sergeant (uncredited) | |
| Harper Goff | ... | Gallantz (uncredited) | |
| Howard Joslin | ... | Patrolman Gus Keogh (uncredited) | |
| Donald Kerr | ... | Taxi driver (uncredited) | |
| Mike Mahoney | ... | Coleman (uncredited) | |
| James Maloney | ... | Albert R. Pritchett (uncredited) | |
| Lee Miller | ... | Policeman (uncredited) | |
| Ralph Montgomery | ... | Finney (uncredited) | |
| Burt Mustin | ... | Willie (uncredited) | |
| Mark Roberts | ... | Mulvey (uncredited) | |
| Jack Shea | ... | Desk sergeant #2 (uncredited) | |
| Kay Wiley | ... | Hysterical woman (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits(in alphabetical order) | ||
| Sidney Kingsley | play | |
| Robert Wyler | writer | |
| Philip Yordan | writer | |
Produced by | |||
| Lester Koenig | .... | associate producer | |
| Robert Wyler | .... | associate producer | |
| William Wyler | .... | producer | |
Cinematography by | |||
| Lee Garmes | |||
Film Editing by | |||
| Robert Swink | |||
Art Direction by | |||
| A. Earl Hedrick | (as Earl Hedrick) | ||
| Hal Pereira | |||
Set Decoration by | |||
| Emile Kuri | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
| Del Armstrong | .... | makeup artist (uncredited) | |
| Lavaughn Speer | .... | hair stylist (uncredited) | |
| William Woods | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Charles C. Coleman | .... | assistant director (uncredited) | |
Art Department | |||
| Gene Lauritzen | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Leon Becker | .... | sound supervisor | |
| John Cope | .... | sound recordist | |
| Hugo Grenzbach | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Loyal Griggs | .... | transparencies (uncredited) | |
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| Michael Clayton | Call Northside 777 | Where the Sidewalk Ends | Midnight Court | Strangers on a Train |
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Detective Story (1951)
**** (out of 4)
William Wyler's brilliant drama about a police detective (Kirk Douglas) who breaks his back trying to put criminals behind bars but there's a secret from his wife that's going to toss all his beliefs in the air. The last time I watched this film was when I was around eleven years old and it left a vivid aftertaste in my mouth after all these years. At the time I was just expecting another "old, dated" film but the realistic nature of this film remains quite powerful and very brutal even in today's jaded world. The entire cast delivers strong performances from the lead Douglas to the smallest of parts in the film. These performances certainly help the film seem all the more real, which is an added bonus. The best performance is of course the one by Douglas who brings all that energy and power to the film. Watching his character slowly breakdown and eventually lose it is something hard to forget.