| Kirk Douglas | ... | Det. James McLeod | |
| Eleanor Parker | ... | Mary McLeod | |
| William Bendix | ... | Det. Lou Brody | |
| Cathy O'Donnell | ... | Susan Carmichael | |
| George Macready | ... | Karl Schneider | |
| Horace McMahon | ... | Lt. Monaghan | |
| Gladys George | ... | Miss Hatch | |
| Joseph Wiseman | ... | Charley Gennini | |
| Lee Grant | ... | Shoplifter | |
| Gerald Mohr | ... | Tami Giacoppetti | |
| Frank Faylen | ... | Det. Gallagher | |
| Craig Hill | ... | Arthur Kindred | |
| Michael Strong | ... | Lewis Abbott | |
| Luis Van Rooten | ... | Joe Feinson | |
| Bert Freed | ... | Det. Dakis | |
| Warner Anderson | ... | Endicott Sims | |
| Grandon Rhodes | ... | Det. O'Brien | |
| William 'Bill' Phillips | ... | Det. Pat Callahan (as William 'Bill' Phillips) | |
| Russell Evans | ... | Patrolman Barnes | |
| rest of cast listed alphabetically: | |||
| Charles D. Campbell | ... | Newspaper Photographer (uncredited) | |
| Edmund Cobb | ... | Ed (uncredited) | |
| Ann Codee | ... | French Woman (uncredited) | |
| Catherine Doucet | ... | Mrs. Farragut (uncredited) | |
| Pat Flaherty | ... | Desk Sergeant (uncredited) | |
| Harper Goff | ... | Gallantz (uncredited) | |
| Howard Joslin | ... | Patrolman Gus Keogh (uncredited) | |
| Donald Kerr | ... | Taxi Driver (uncredited) | |
| Mike Mahoney | ... | Coleman (uncredited) | |
| James Maloney | ... | Albert R. Pritchett (uncredited) | |
| Lee Miller | ... | Policeman (uncredited) | |
| Ralph Montgomery | ... | Finney (uncredited) | |
| Burt Mustin | ... | Willie (uncredited) | |
| Mark Roberts | ... | Mulvey (uncredited) | |
| Jack Shea | ... | Desk Sergeant #2 (uncredited) | |
| Kay Wiley | ... | Hysterical Woman (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits | ||
| Philip Yordan | (screenplay) and | |
| Robert Wyler | (screenplay) | |
| Sidney Kingsley | (based on the play by) | |
Produced by | |||
| Lester Koenig | .... | associate producer | |
| Robert Wyler | .... | associate producer | |
| William Wyler | .... | producer | |
Cinematography by | |||
| Lee Garmes | (director of photography) | ||
| John F. Seitz | (uncredited) | ||
Film Editing by | |||
| Robert Swink | |||
Art Direction by | |||
| A. Earl Hedrick | (as Earl Hedrick) | ||
| Hal Pereira | |||
Set Decoration by | |||
| Emile Kuri | |||
Costume Design by | |||
| Edith Head | (costumes) | ||
Makeup Department | |||
| Wally Westmore | .... | makeup supervision | |
| Del Armstrong | .... | makeup artist (uncredited) | |
| Lavaughn Speer | .... | hair stylist (uncredited) | |
| William Woods | .... | makeup artist (uncredited) | |
Production Management | |||
| Don Robb | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Charles C. Coleman | .... | assistant director (uncredited) | |
Art Department | |||
| Gene Lauritzen | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Leon Becker | .... | sound supervisor | |
| John Cope | .... | sound recording | |
| Hugo Grenzbach | .... | sound recording | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Loyal Griggs | .... | transparencies (uncredited) | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Other crew | |||
| John Shilling | .... | technical advisor (uncredited) | |
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| Manhattan Melodrama | Capote | Crossfire | The Departed | 15 Minutes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I was always interested in seeing this movie and thanks to a storm in NYC and my disinterest in going to work, I finally watched this movie.
I was very disappointed. I found the movie to be highly and needlessly dramatic by all involved. I thought all the characters were cardboard-based, especially Lee Grant, who overdoes her New Yawk accent so much it made a shiver go down my spine. Douglas & Parker have a decent scene or two but for the most part do not connect with each other.
Best scene by miles was one where Gladys George (she was the nuts widow in "The Maltese Falcon") goes to the precinct to pick a criminal from a line-up. She is on screen for maybe 90 seconds, but they were the realest thing in this sappy and stagey movie.
I have a lot of respect for William Wyler and the cast, normally, but this one misfired, for me at least.