Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.
Barbara Bel Geddes,
Louise Mason is a young widow who fills her empty life with the task of becoming a children's nurse. As the years pass, and the widow tries to find her own place in life, her young charges,... See full summary »
In this adaptation of Françoise Sagan's best selling novel, Paula is a beautiful and highly successful 40-year-old businesswoman. She is deeply in love with Roger, her mature consort of ... See full summary »
During WWII, handsome young Italian sub commander and his crew torpedo Allied freighters and transport ships for the Axis then rescue the occasional survivor and treat them humanely while seeking a safe place to put them ashore.
In North Africa during World War II, Sergeant Larry Nevins is blinded by a German sniper's bullet. Rehabilitation at the military hospital presents many challenges, but accepting his ... See full summary »
A nurse is taking an amnesia victim, who was imprisoned by the Japanese during WW II, to the United States in a plane piloted by Richard Denning. The passengers include a Japanese colonel ... See full summary »
William H. Pine
WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gestapo retains a terribly efficient network to identify and capture spies and deserters. Moreover, it is not clear that "Tiger", who does not mind any dirty work as long as the price is right, and war-weary "Happy", who might be easily betrayed by his feelings, are dependable agents. After Tiger and another American agent are successfully infiltrated, Happy is parachuted in Bavaria. His duty: find out the whereabouts of a powerful German armored unit moving towards the western front. Written by
Eduardo Casais <firstname.lastname@example.org>
One of the first films after World War II to portray the German people - outside of the Nazi regime - in a sympathetic light. See more »
Early in the movie, Lt. Rennick and his driver, Sgt. Griffin, are driving in an open jeep to Rennick's new headquarters at the convent. It is clearly winter with snow on the ground and leafless trees. Yet, when they drive up to their headquarters gate, it now looks like early summer, with trees with full leaves and no snow on the ground. Then, it's back to winter again with heavy snow when Happy parachutes back into Germany. See more »
Occasionally I rate a film high for personal and sentimental reasons. In this case I am compelled by objective facts to add in the light of greater perspective that I consider this one of the best war movies of all time.
In the first place, the acting is superb. The casting is flawless. The direction is taut, as is the editing. It is filmed in black and white, as it would have to be even today if someone wanted to try a remake. The locations and sets are authentic to a "T." The story itself follows faithfully the text of a book I read as a child (before I saw the film, in fact).
Moreover, I consider it an act of bravery on the part of the film's producers even to begin a project like this so soon after the end of World War II, when passions against the Germans were still running high and mere caricatures of that nation's common people remained the standard for the day (and for years to come).
Oskar Werner in the main role was a brilliant choice, and veterans Richard Basehart and Gary Merrill provide ample evidence that casting proceeded on a basis of resolute excellence and authenticity. I am still blown away by revisiting the "Romantic Road" in Germany and thinking how this movie defined and continued to define for me how recent and ancient history converged along that path.
I cannot praise it enough.
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