Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.
Barbara Bel Geddes,
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
Spike Milligan and his friends decide to go to occupied France to silence a large German gun that is firing across the channel. They bumble though encounters with Germans and the French ... See full summary »
A secretary takes her boss's car for the holiday in the Mediteranean, oddly retracing a journey she has not taken, and is recognized by people she has not met before. When a body turns up ... See full summary »
Department of State courier Mike Kells ends up in postwar hotbed Trieste after failing to collect a package from a colleague. The Military Police are happy for him to get more involved, but... See full summary »
In North Africa during World War II, Sergeant Larry Nevins is blinded by a German sniper's bullet. Rehabilitation at the military hospital presents many challenges, but accepting his ... See full summary »
WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gestapo retains a terribly efficient network to identify and capture spies and deserters. Moreover, it is not clear that "Tiger", who does not mind any dirty work as long as the price is right, and war-weary "Happy", who might be easily betrayed by his feelings, are dependable agents. After Tiger and another American agent are successfully infiltrated, Happy is parachuted in Bavaria. His duty: find out the whereabouts of a powerful German armored unit moving towards the western front. Written by
Eduardo Casais <email@example.com>
The shot of the C-47 just before Happy parachutes into Germany shows USAF markings on the fuselage not used until after WWII. See more »
A kid like Happy, even if he came through it alive, a traitor's always a traitor, no matter what his reasons are.
Lt. Dick Rennick:
We didn't hesitate about using him.
In a war, to save lives, you use whoever you can. Trouble is, you always lose the best ones 'cause the best ones are willing to take a chance.
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Occasionally I rate a film high for personal and sentimental reasons. In this case I am compelled by objective facts to add in the light of greater perspective that I consider this one of the best war movies of all time.
In the first place, the acting is superb. The casting is flawless. The direction is taut, as is the editing. It is filmed in black and white, as it would have to be even today if someone wanted to try a remake. The locations and sets are authentic to a "T." The story itself follows faithfully the text of a book I read as a child (before I saw the film, in fact).
Moreover, I consider it an act of bravery on the part of the film's producers even to begin a project like this so soon after the end of World War II, when passions against the Germans were still running high and mere caricatures of that nation's common people remained the standard for the day (and for years to come).
Oskar Werner in the main role was a brilliant choice, and veterans Richard Basehart and Gary Merrill provide ample evidence that casting proceeded on a basis of resolute excellence and authenticity. I am still blown away by revisiting the "Romantic Road" in Germany and thinking how this movie defined and continued to define for me how recent and ancient history converged along that path.
I cannot praise it enough.
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