In the back country of South Africa, black minister Stephen Kumalo (Canada Lee) journeys to the city to search for his missing son, only to find his people living in squalor and his son a ... See full summary »
A man is released from prison, and after 18 years, returns to his "pueblo" (village). But in this village, time, in many ways, has stood still. The time served by Juan complied with the ... See full summary »
A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.
Jack Hammett is an aggressive young defence attorney on the rise up the corporate ladder. In the courtroom he's known as the "Hail Mary Kid" for his ability to win the unwinnable cases. ... See full summary »
Even though Peter and Kimani grow up together, Kimani soon finds that different races are treated differently. After the father of Kimani is jailed for following tribal customs, Kimani ... See full summary »
While doing a story on the intrusion of surreptitious surveillance in peoples' private lives, a television reporter rents some surveillance equipment to get a feel for what it's like to spy... See full summary »
James A. Watson Jr.
In the back country of South Africa, black minister Stephen Kumalo (Canada Lee) journeys to the city to search for his missing son, only to find his people living in squalor and his son a criminal. Reverend Misimangu (Sidney Poitier) is a young South African clergyman who helps find his missing son-turned-thief and sister-turned-prostitute in the slums of Johannesburg. Written by
When I was growing up this movie was the paradigm of the social cause film, but I had never gotten to see it until American Movie Classics ran it recently. I was disappointed. The first third of the movie was hard to follow, and the movie in general seemed disjointed (not helped by awkward cutting). The dialogue was hard to understand at times. The story itself I did not find particularly gripping or emotionally involving, and as an indictment of apartheid in particular and racial tolerance in general it was not particularly hard-hitting. The acting was nothing to write home about, either. A big disappointment.
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