Criminal Lawyer (1951)

Director:

Seymour Friedman

Writer:

Harold Greene (story)

Release Date:

23 August 1951 (USA)

Genre:

Action | Crime | Drama | Mystery | Romance

Plot:

Alcoholic lawyer sobers up to defend friend in murder case.

Plot Keywords:

Murder | Lawyer | Judge | Bodyguard | Courtroom

Cast

Pat O'Brien	...	James 'Jimmy' Regan
Jane Wyatt	...	Maggie Powell
Carl Benton Reid	...	Tucker Bourne
Mary Castle	...	Gloria Lydendecker
Robert Shayne	...	Clark Sommers
Mike Mazurki	...	'Moose' Hendricks
Jerome Cowan	...	Walter Medford
Marvin Kaplan	...	Sam Kutler
Douglas Fowley	...	Harry Cheney
Mickey Knox	...	Vincent Cheney
Louis Jean Heydt	...	Frank Burnett

Runtime:

74 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

USA:Approved | USA:Passed (National Board of Review)

Company:

Columbia Pictures Corporation

Modest B-film with good role for Mazurki

This Columbia 1951 programmer has no connection to the RKO film of 1937. But then again it does have a connection to the vast multitude of legal films that trot out the shady-but-ultimately-noble defense lawyer character. This time that character is played by Pat O'Brien. At least O'Brien modulates his performance, keeping away from his usual brassy, fast-talking, finger-jut-to-the-lapel style. In fact, he's rather subdued, chiefly because he goes on a binge-drinking tailspin every time he feels guilty about the consequences of his shady tactics. Oddly, nobody else amongst his staff seems to mind his shenanigans one bit, including Jane Wyatt's seemingly upright citizen character who is curiously written as unquestioning and ever-faithful. It's just a b-movie of modest ambitions, but there's little action, little humor, and little threat to the main characters. The worst thing O'Brien faces is a guilty conscience and the loss of a judgeship. The best thing in the movie is Mike Mazurki. Not that he was ever a great actor, but his usually small appearances as nothing more than a thuggish prop in so many films makes his work in this film notable. He actually gets to play a thinking, normal, even smiling, human being. Sure, he's playing an ex-wrestler bodyguard named Moose, but he also shows a caring side by keeping watch over O'Brien, and is even wearing an apron and cooking in one scene! I believe he also gets more lines to speak in this film than any other he appared in. And there's also a small part of a witness played by the ubiquitous Charles Lane. Of Lane, there's probably no other more famous "face" in Hollywood who appeared in so many movies without being credited.