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Come Fill the Cup (1951)

 |  Drama  |  24 October 1951 (USA)
6.9
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Ratings: 6.9/10 from 270 users  
Reviews: 11 user | 6 critic

Alcoholic newspaperman Lew Marsh hits bottom, loses his job and is rehabilitated by Charley Dolan. After six years on the wagon he gets his job back and devotes himself to other recovering ... See full summary »

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(screen play), (screen play), 1 more credit »
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Title: Come Fill the Cup (1951)

Come Fill the Cup (1951) on IMDb 6.9/10

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Lew Marsh
...
Paula Copeland
...
John Ives
...
Charley Dolan
...
Boyd Copeland
Selena Royle ...
Mrs. Dolly Copeland
...
Julian Cuscaden
Charlita ...
Maria Diego
...
Lennie Garr
Douglas Spencer ...
Ike Bashaw
John Kellogg ...
Don Bell
...
Hal Ortman
John Alvin ...
Travis Ashbourne - Reporter
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Storyline

Alcoholic newspaperman Lew Marsh hits bottom, loses his job and is rehabilitated by Charley Dolan. After six years on the wagon he gets his job back and devotes himself to other recovering alcoholics. His boss enlists his help to sober up his nephew, Boyd Copeland, who has married Lew's old sweetheart. Boyd, who is involved with a cabaret singer and the mob, presents quite a challenge. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

24 October 1951 (USA)  »

Also Known As:

Veneno implacable  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Connections

Referenced in The Beast from 20,000 Fathoms (1953) See more »

Soundtracks

Blanke's Concerto
(uncredited)
Music by Ray Heindorf
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User Reviews

Another lost week -end
25 December 2006 | by See all my reviews

Six years after Billy Wilder,Gordon makes his own "lost week-end".Both Cagney and Gig Young are convincing in their parts of barflies desperately trying to find a way out of this hell.

I think that the film noir side weakens the film:all that concerns the "singer" (a gangster's moll) and the gang gets in the way.

On the other hand,Boyd's relationship with his mother is really frightening and it is a pity that the part of this over possessive woman was so underwritten.Almost every line she says is revealing: "Boy's sleeping" "He may get cold,I'm going to cover him up well".Too bad Phyllis Thaxter and her mother-in-law have virtually no scene together either.

A good film anyway.


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