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Come Fill the Cup (1951)

 -  Drama  -  24 October 1951 (USA)
7.0
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Ratings: 7.0/10 from 247 users  
Reviews: 11 user | 6 critic

Alcoholic newspaperman Lew Marsh hits bottom, loses his job and is rehabilitated by Charley Dolan. After six years on the wagon he gets his job back and devotes himself to other recovering ... See full summary »

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(screen play), (screen play), 1 more credit »
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Title: Come Fill the Cup (1951)

Come Fill the Cup (1951) on IMDb 7/10

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Lew Marsh
...
Paula Copeland
...
John Ives
...
Charley Dolan
...
Boyd Copeland
Selena Royle ...
Mrs. Dolly Copeland
...
Julian Cuscaden
Charlita ...
Maria Diego
...
Lennie Garr
Douglas Spencer ...
Ike Bashaw
John Kellogg ...
Don Bell
...
Hal Ortman
John Alvin ...
Travis Ashbourne - Reporter
Edit

Storyline

Alcoholic newspaperman Lew Marsh hits bottom, loses his job and is rehabilitated by Charley Dolan. After six years on the wagon he gets his job back and devotes himself to other recovering alcoholics. His boss enlists his help to sober up his nephew, Boyd Copeland, who has married Lew's old sweetheart. Boyd, who is involved with a cabaret singer and the mob, presents quite a challenge. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

24 October 1951 (USA)  »

Also Known As:

Alcool  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Connections

Referenced in The Beast from 20,000 Fathoms (1953) See more »

Soundtracks

Blanke's Concerto
(uncredited)
Music by Ray Heindorf
See more »

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User Reviews

 
Massey: "Lew, it took me 50 years to reach the age of 21." Cagney: "Shake hands with a kid of 19."
18 December 2006 | by (Northern Mariana Islands) – See all my reviews

This is a far too seldom televised Cagney picture, made in his more mature years. Cagney is top-notch as an alcoholic reporter finally scared enough by the threat of death ("Angel feathers," his reformed alcoholic savior James Gleason tells him) to go on the wagon. He's enlisted by his publisher boss Raymond Massey to mentor--basically slap some sense into-- Massey's incipient alcoholic nephew, Gig Young. The plot is rather work-a-day, and Cagney is all too dynamic for a recovering alcoholic; he never convinces us that being dry is agony. Moreover, it shows none of the stark horror of alcoholism better dramatized in The Lost Weekend or Days of Wine and Roses. Yet the script is taut and it's always a treat to watch Cagney at work. And James Gleason, one of the most personable of character actors, was never better. Watch his expectant face as he tries his daily attempt at a pseudo Bloody Mary on his roommate, Cagney. "Still tomato juice," they say in unison.


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