Casque d'or (1952)

Director:

Jacques Becker

Writers:

Jacques Becker (scenario) and
Jacques Companéez (scenario) ...

Release Date:

18 August 1952 (USA)

Genre:

Crime | Drama | Romance

Tagline:

L'histoire d'une femme dont chaque amour fut...

Plot:

In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie...

Plot Keywords:

Dance Hall | Death | Carpenter | Gang | Love

Awards:

Won BAFTA Film Award. Another 1 win & 1 nomination

Cast

Simone Signoret	...	Marie 'Casque d'Or'
Serge Reggiani	...	Georges Manda
Claude Dauphin	...	Félix Leca
Raymond Bussières	...	Raymond
Odette Barencey	...	La mère d'Eugène
Loleh Bellon	...	Léonie Danard
Solange Certin
Jacqueline Dane
Daniel Mendaille	...	Le patron de la guinguette / Guinguette
Dominique Davray	...	Julie
Paul Barge	...	L'inspecteur Juliani / Police Insp. Giuliani
Paul Azaïs	...	Ponsard
Claude Castaing	...	Fredo
Jean Clarieux	...	Paul
Tony Corteggiani	...	Le commissaire / Superintendent

Also Known As:

Golden Helmet
Golden Marie (USA)

Runtime:

96 min | USA:94 min

Country:

France

Language:

French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Optiphone)

Certification:

UK:PG (2007) | UK:X (1952) | Argentina:13 | Australia:PG | Finland:K-16 | Sweden:15

Filming Locations:

Annet-sur-Marne, Seine-et-Marne, France

Company:

Robert et Raymond Hakim

Trivia:

The title "Casque d'Or" refers to Marie's hair, which resembles a golden helmet.

Movie Connections:

Featured in Jackpot 2 (1982)

Jacques Becker: cinema as art

Jacques Becker was an artist and a director. His legacy is a trilogy of masterpieces: "Casque d'Or", "Touchez pas au Grisbi", "Le Trou", three luminous instances of cinema as art.

The linear story of "Casque d'Or" has the neatness of a Maupassant's tale. We are transferred into a most glorious epoch for French culture and art: the decline of the 19th century, the age of Impressionism. Marie (Simone Signoret) is a blond beauty, a cheerful "lost woman". She's the girl-friend of a member of a gang of small-time but ruthless criminals. She falls in first-sight-love with George Manda (Serge Reggiani) a former crook, now a honest carpenter. Predictable troubles ensue...

The atmosphere of the epoch is wonderfully recreated, with a black-and-white photography of indescribable beauty. An Impressionist Master behind the camera couldn't have done better. And, in fact, Becker was a favorite "student" of director Jean Renoir, Auguste Renoir's son. Becker's characteristic narrating style is nostalgic, serene, gently ironic. He deliberately avoids over-dark tones in his representation of the underworld, even in the middle of tragic events.

Simone Signoret is a charismatic presence on the screen: outstanding is her use of body-language to draw Marie's character, both a romantic enamoured woman and a cynical harlot. Reggiani is excellent as the laconic, tough Manda: he utters some twenty words along the whole movie, yet we perfectly understand his peculiar honor code, his profound love for Marie, his unselfish devotion to friendship. Splendid is Leca (Claude Dauphin), the boss of the gang, officially a respectable well-off wine-dealer: proficient, cool-headed, extremely cunning and Machiavellian, always ready to betray his own men to pursue his dirty purposes. Indeed, great care is paid to the design of all characters, with superb acting by the whole cast.

Exquisite poetic touches permeate the movie... Marie drags Manda into a church, where a simple wedding (of unknown middle-class people) is taking place. Shortly after, Manda is impatient "Let's go"; and Marie "No, just another minute"... and she contemplates the wedding with a dreaming smile...

"Casque d'Or": a perfect work of art.