Casque d'Or (1952)
"Casque d'or" (original title)

Not Rated  |   |  Crime, Drama, Romance  |  18 August 1952 (USA)
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Ratings: 7.9/10 from 3,282 users  
Reviews: 25 user | 36 critic

In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie, aka "Casque d'Or" (Golden Helmet) meets Manda, a carpenter. Her man Roland belongs ... See full summary »



(scenario), (scenario), 2 more credits »
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Won 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »
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Cast overview, first billed only:
Claude Dauphin ...
Raymond Bussières ...
Odette Barencey ...
Loleh Bellon ...
Solange Certin
Le patron de la guinguette / Guinguette
Dominique Davray ...
Jacqueline Dane
Paul Barge ...
L'inspecteur Juliani / Police Insp. Giuliani
Paul Azaïs ...
Jean Clarieux ...
Tony Corteggiani ...
Le commissaire / Superintendent
Émile Genevois ...
Billy (as Emile Genevois)


In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie, aka "Casque d'Or" (Golden Helmet) meets Manda, a carpenter. Her man Roland belongs to the jealous kind, and Leca himself has his eye on her. A story of love, death, friendship and jealousy during the Belle Epoque. Written by Yepok

Plot Summary | Add Synopsis


L'histoire d'une femme dont chaque amour fut...


Crime | Drama | Romance


Not Rated | See all certifications »




Release Date:

18 August 1952 (USA)  »

Also Known As:

Casque d'Or  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:


Aspect Ratio:

1.37 : 1
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Did You Know?


This was Jacques Becker's own favorite film, and the only one of his movies to receive wide international release. See more »


Featured in Censura: Alguns Cortes (1999) See more »

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User Reviews

Jacques Becker: cinema as art
15 January 2001 | by (Padova, Italy) – See all my reviews

Jacques Becker was an artist and a director. His legacy is a trilogy of masterpieces: "Casque d'Or", "Touchez pas au Grisbi", "Le Trou", three luminous instances of cinema as art.

The linear story of "Casque d'Or" has the neatness of a Maupassant's tale. We are transferred into a most glorious epoch for French culture and art: the decline of the 19th century, the age of Impressionism. Marie (Simone Signoret) is a blond beauty, a cheerful "lost woman". She's the girl-friend of a member of a gang of small-time but ruthless criminals. She falls in first-sight-love with George Manda (Serge Reggiani) a former crook, now a honest carpenter. Predictable troubles ensue...

The atmosphere of the epoch is wonderfully recreated, with a black-and-white photography of indescribable beauty. An Impressionist Master behind the camera couldn't have done better. And, in fact, Becker was a favorite "student" of director Jean Renoir, Auguste Renoir's son. Becker's characteristic narrating style is nostalgic, serene, gently ironic. He deliberately avoids over-dark tones in his representation of the underworld, even in the middle of tragic events.

Simone Signoret is a charismatic presence on the screen: outstanding is her use of body-language to draw Marie's character, both a romantic enamoured woman and a cynical harlot. Reggiani is excellent as the laconic, tough Manda: he utters some twenty words along the whole movie, yet we perfectly understand his peculiar honor code, his profound love for Marie, his unselfish devotion to friendship. Splendid is Leca (Claude Dauphin), the boss of the gang, officially a respectable well-off wine-dealer: proficient, cool-headed, extremely cunning and Machiavellian, always ready to betray his own men to pursue his dirty purposes. Indeed, great care is paid to the design of all characters, with superb acting by the whole cast.

Exquisite poetic touches permeate the movie... Marie drags Manda into a church, where a simple wedding (of unknown middle-class people) is taking place. Shortly after, Manda is impatient "Let's go"; and Marie "No, just another minute"... and she contemplates the wedding with a dreaming smile...

"Casque d'Or": a perfect work of art.

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