A British multinational seeks to overthrow a vicious dictator in central Africa. It hires a band of (largely aged) mercenaries in London and sends them in to save the virtuous but ... See full summary »
Andrew V. McLaglen
Beau, John, and Digby Geste are three inseparable, adventurous brothers who haven been adopted into the wealthy household of Lady Brandon. When money in the uppercrust household grows tight... See full summary »
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords ... See full summary »
After losing his bride in a Luftwaffe air raid, bomber pilot Forrester becomes a solitary killing machine, who doesn't care whether he dies. The reckless Canadian pilot is both admired and ... See full summary »
In 1807, Captain Horatio Hornblower leads his ship the HMS Lydia on a perilous voyage around Cape Horn and into the Pacific. The men, even his officers, don't know exactly where he is leading them. England is at war with Napoleon and everyone wonders why they have been sent so far from the action. They eventually arrive on the Pacific coast of Central America where the HMS Lydia has been sent to arm Don Julian Alvarado, who is planning an attack against France's Spanish allies on the North American continent. The hope is that Alvarado's forces will require the French to divert some of their military resources to North American defense in the aid of their Spanish allies. He arrives to learn that a Spanish Galleon is en route and he no sooner captures it and hands it over to Alvarado that he learns the Spanish are now England's allies and he must take it from Alvarado. He also gets a very comely passenger in the form of Lady Barbara Wellesley, sister of the Duke of Wellington. The ... Written by
The rights to the novel were originally acquired by Warners with Errol Flynn in mind, but after the financial failure of Adventures of Don Juan (1948) and growing difficulties with the actor, he was not cast. Warners was already building up Burt Lancaster as its new swashbuckler, but the role of a British sea captain seemed out of his range, so Gregory Peck was ultimately cast. See more »
In the Lydia's battle with the Natividad, the main topgallant staysail (top sail, middle mast) on the Lydia vanishes early in the battle. We can tell because the sail in front of it on the foremast is shot down. Later in the battle, the Natividad fires at the rigging, and then the main topgallant staysail is shot down. Also in the later shot the top sail on the foremast briefly reappears. Then still later, both sails reappear for a shot of the Lydia sailing, and then they disappear again as the Lydia closes in to destroy the Natividad. See more »
In the year Eighteen Hundred and Seven, a small ship of the Royal Navy set sail from England for a secret destination. With five million French and Spanish soldiers poised on the Continent under Napolean, nothing could save England from invasion except her 300 ships. HMS Lydia was soon far beyond battle-charged Europe. Under the most secret of sealed orders, she sailed for southern waters, fought her way around the Horn... headed north again into the Pacific. For seven months, she ...
See more »
It's unfair that Raoul Walsh's name is labeled by the books as a second-level filmmaker in relation with, say, a Ford or a Hawks. He was an extraordinary crafted and prolific director, capable of incorporating standard studio material into his own personal worldview. `Captain Horatio Hornblower' is full of little moments that exceed any genre limitation. These `sparkles of Truth' may be the tracking shot along the empty room while Peck reads the letter of his deceased wife, or when Virginia Mayo kisses the youngster the way his mother used to did. So the adventure film becomes something bigger than life, just as `White Heat' used of the conventions of the gangster film to turn into metaphysics, or `Colorado Territory' departed the western into the depths of existentialism. This film is enjoyable from beginning to end, and it's a clear predecessor of Peter Weir's `Master and Commander', with which it shares a few tone, character and plot elements.
18 of 24 people found this review helpful.
Was this review helpful to you?