Life on a British bomber base, and the surrounding towns, from the opening days of the Battle of Britain, to the arrival of the Americans, who join in the bomber offensive. The film centres... See full summary »
Late 19th century. The young miss Julie lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer ... See full summary »
Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He ... See full summary »
Hans Adalbert Schlettow,
Andrew Crocker-Harris, a classic teacher in a British school, is a man hounded by a heart ailment, and by his wife's disloyalty, who is pursuing a science teacher. He has lost his feeling for the emotions of others and his understanding of the boys he is there to teach. Written by
Les Adams <firstname.lastname@example.org>
Asquith had wanted to make "The Browning Version" immediately after seeing it in the theatre in 1949. He struggled to find backers as the general consensus was that the material was considered to be too downbeat. See more »
A good chap, Hunter, in many ways but no sense of discipline and of course like all scientists a trifle narrow minded.
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I do not think the 1994 remake is so appalling.But it cannot hold a candle to this one,for sure,though.Part of the reason can be found,IMHO,in how the two directors deal with the main character.THe color version gambles on Albert Finney's performance and overlooks the rest of the cast which is not that much exciting in the first place (M.Modine is rather bland).Here ,the whole cast is outstanding ,from the young guy who plays the student to Jean Kent,a bitchy wife ,from Nigel Patrick's bewildered science teacher who becomes a human being during the movie to Wilfrid Hyde-White's (whatever a precedent user's view on the matter)mischievous,suave and finally cruel headmaster.
Of course Michael Redgrave steals the show ,but he gets good support all along the way.His performance is subdued,but emotionally intense ,and if you do not shed a tear during his final speech,you must have a heart of stone.The black and white cinematography and the stifling atmosphere give the tragedy the three unities (place,time and action) and an inventive directing makes us forget it's a play,like in the best Mankiewicz works.
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