Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British public school. After nearly 20 years of service, he is being forced to retire on the pretext of ... See full summary »
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Life on a British bomber base, and the surrounding towns, from the opening days of the Battle of Britain, to the arrival of the Americans, who join in the bomber offensive. The film centres... See full summary »
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Percy Boon lives with his mother in a shared rented house with an assortment of characters in central London. Although well intentioned, Percy becomes mixed up with gangsters and a murder. ... See full summary »
Andrew Crocker-Harris, a classics teacher at an English school, is afflicted with a heart ailment and an unfaithful wife. His interest in his pupils wanes as he looks towards his final days in employment. Written by
Les Adams <email@example.com>
Terence Rattigan's original one-act play ended with Crocker-Harris telling the headmaster that he wished to speak last at the closing ceremony. His apologetic speech to the students was written by Rattigan especially for the screen. See more »
I do not think the 1994 remake is so appalling.But it cannot hold a candle to this one,for sure,though.Part of the reason can be found,IMHO,in how the two directors deal with the main character.THe color version gambles on Albert Finney's performance and overlooks the rest of the cast which is not that much exciting in the first place (M.Modine is rather bland).Here ,the whole cast is outstanding ,from the young guy who plays the student to Jean Kent,a bitchy wife ,from Nigel Patrick's bewildered science teacher who becomes a human being during the movie to Wilfrid Hyde-White's (whatever a precedent user's view on the matter)mischievous,suave and finally cruel headmaster.
Of course Michael Redgrave steals the show ,but he gets good support all along the way.His performance is subdued,but emotionally intense ,and if you do not shed a tear during his final speech,you must have a heart of stone.The black and white cinematography and the stifling atmosphere give the tragedy the three unities (place,time and action) and an inventive directing makes us forget it's a play,like in the best Mankiewicz works.
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