The Browning Version (1951) 7.8
Forced to retire from an English public school. a disliked professor must confront his utter failures as a teacher, a husband, and a man. Director:Anthony Asquith |
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The Browning Version (1951) 7.8
Forced to retire from an English public school. a disliked professor must confront his utter failures as a teacher, a husband, and a man. Director:Anthony Asquith |
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| Complete credited cast: | |||
| Michael Redgrave | ... | ||
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Jean Kent | ... | |
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Nigel Patrick | ... | |
| Wilfrid Hyde-White | ... |
Frobisher
(as Wilfrid Hyde White)
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Brian Smith | ... | |
| Bill Travers | ... | ||
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Ronald Howard | ... | |
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Paul Medland | ... | |
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Ivan Samson | ... | |
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Josephine Middleton | ... | |
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Peter Jones | ... |
Carstairs
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Sarah Lawson | ... |
Betty Carstairs
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Scott Harold | ... |
Rev. Williamson
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Judith Furse | ... |
Mrs. Williamson
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Andrew Crocker-Harris, a classic teacher in a British school, is a man hounded by a heart ailment, and by his wife's disloyalty, who is pursuing a science teacher. He has lost his feeling for the emotions of others and his understanding of the boys he is there to teach. Written by Les Adams <longhorn1939@suddenlink.net>
I do not think the 1994 remake is so appalling.But it cannot hold a candle to this one,for sure,though.Part of the reason can be found,IMHO,in how the two directors deal with the main character.THe color version gambles on Albert Finney's performance and overlooks the rest of the cast which is not that much exciting in the first place (M.Modine is rather bland).Here ,the whole cast is outstanding ,from the young guy who plays the student to Jean Kent,a bitchy wife ,from Nigel Patrick's bewildered science teacher who becomes a human being during the movie to Wilfrid Hyde-White's (whatever a precedent user's view on the matter)mischievous,suave and finally cruel headmaster.
Of course Michael Redgrave steals the show ,but he gets good support all along the way.His performance is subdued,but emotionally intense ,and if you do not shed a tear during his final speech,you must have a heart of stone.The black and white cinematography and the stifling atmosphere give the tragedy the three unities (place,time and action) and an inventive directing makes us forget it's a play,like in the best Mankiewicz works.