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The Big Night (1951)

6.5
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Ratings: 6.5/10 from 329 users  
Reviews: 7 user | 13 critic

A teenager comes of age while seeking revenge on the man who beat up his father.

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(novel), (screenplay), 3 more credits »
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Title: The Big Night (1951)

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Cast

Complete credited cast:
...
George La Main (as John Barrymore Jr.)
Preston Foster ...
Andy La Main
...
Marion Rostina
Howard St. John ...
Al Judge
...
Julie Rostina
Philip Bourneuf ...
Dr. Lloyd Cooper
Howland Chamberlain ...
Flanagan (as Howland Chamberlin)
Myron Healey ...
Kennealy
Emile Meyer ...
Peckinpaugh (as Emil Meyer)
Mauri Lynn ...
Terry Angelus
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Storyline

George La Main, just turned 17, suffers growing pains and is anxious to prove his manhood. That night, George's adored father Andy is savagely beaten by sportswriter Al Judge. Traumatized and unable to learn why it happened, George goes gunning for Judge. His mission becomes an odyssey through the town's seamy side, and his coming of age is more of a trial by fire than he bargained for. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


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Details

Country:

Language:

Release Date:

13 November 1951 (USA)  »

Also Known As:

Die Nacht der Wahrheit  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to interviews that director Joseph Losey gave in the mid-1970s to Michel Ciment, the FBI wanted to spy on him in Europe, where he relocated to work after being blacklisted by Hollywood because of his political activities. So they paid John Drew Barrymore (who became a good friend after this movie) to furnish information about Losey's political activities, if any, in London. Barrymore later met Losey in London and confessed to him about the money and expense account the FBI had given him to spy on Losey. Losey, recalling that the young actor had been under tremendous pressure at the time, forgave him and in fact suggested that they have several lavish meals together and put the cost on Barrymore's FBI expense account, which they promptly did. See more »

Goofs

George blows out all but one of his birthday candles. When the view changes from over George's shoulder to a position over his father's shoulder, all the candles are out, but when it changes back, the one candle is again lit. See more »

Quotes

George La Main: You don't have to know people long. I mean... Well, doesn't it ever happen to you? You meet somebody and you take one look and you know they're all right.
See more »

Soundtracks

Am I Too Young
Music by Lyn Murray
Lyrics by Sid Kuller
Sung by Mauri Lynn
See more »

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User Reviews

The Wrong Woman
28 June 2001 | by (fredericksburg va) – See all my reviews



The story here is revenge, more real-life based, a 1950's version of the crime of passion. A teenager's good-hearted father is beaten to a pulp by a gangster, so the kid invades the streets to get some payback. The father's not worried about the floor-wiping, which leads to a mystery behind the teen's mother, who skipped out on the family long ago, and a woman the father knows who has committed suicide.

Seeing this film, there's not much in terms of plot, but there are some notable scenes, particularly when the kid hears a beautiful night-club singer, becomes entranced, gets a chance to meet her on the street, and tells her how beautiful she is. Even though she's, you know,

black. The pain in the singer's face rends the poor kid, who was transported by her voice, but can't get beyond her skin color.

This film also has one of THE great lines ever in any film noir or any movie period, at least concerning the tragedy between a man and a woman, when there is love involved. There are no words more powerful or poignant, especially for a man who loves a woman beyond reason, who knows he has lost the love of his life. Unable to move on, to love or marry another woman after that one woman has destroyed him, and in fact still very much in love with his destroyer,

Preston Foster tells his son, "Sometimes a man loves one woman in the whole world. If she turns out to be the wrong one, well...that's just tough." Truly, the heart of noir is not blackness, but the white-hot scars of passion.


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