A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Charles Tatum, a down-on-his-luck reporter, takes a job with a small New Mexico newspaper. The job is pretty boring until he finds a man trapped in an old Indian dwelling. He jumps at the chance to make a name for himself by taking over and prolonging the rescue effort, and feeding stories to major newspapers. He creates a national media sensation and milks it for all it is worth - until things go terribly wrong. Written by
John Oswalt <firstname.lastname@example.org>
In a 1950 memo to Billy Wilder, Kirk Douglas objected to several aspects of Chuck Tatum's monologue about missing New York City: "No pastrami! No garlic pickles! No Madison Square Garden! No Yogi Berra!", among other things. Douglas asked, "... what the hell is a Yogi Berra?". Douglas' secretary, who was amused her boss didn't know who the New York Yankee star was, told him he was a catcher. See more »
When Lorraine and Chuck are talking out in front of Minosa's store by the gas pumps, reflections of the crew moving around behind the camera can be seen in the store windows. See more »
Fifty years later,Billy Wilder's tour de force has worn so well it should be considered the finest movie dealing with the media,topping "network" for instance.The world described here is so depressing,so disheartening that it takes drama to new limits.Not only Tatum is evil,but so are the miner's wife and family who take advantage of the situation ,regardless of any morals.So is the faceless crowd ,who has a wild time, near a dying man.You and me,we could be part of this populace,and maybe we've already been!Remember the little South American girl who fell into a pit in the eighties.The fair sequences might have influenced Fellini for "la dolce vita" (hype about a girl who would have seen Virgin Mary).The soundtrack ,with its relentless thud ,is so oppressive you feel the unfortunate victim's plight within your body and your soul .
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