Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various ... See full summary »
Claude is a Jew. Because of the risks of an arrest (France is occupied by the Nazis), his parents send him away to an elderly couple in the country. Pepe, the husband, is a Petain supporter... See full summary »
A cynical tragicomedy focusing on the different ways of love in the times of the sexual revolution. Nicholas Mallet, an inconspicuous and shy bank employee, one day successfully invites ... See full summary »
Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »
And alas, another masterpiece from the late GDR/DDR, edited in marvelous quality by the Institute for German Studies of the University of Massachussetts at Amherst! Thank you for this forgotten jewel! And look at the crew, there are actors inside that you could not seen anymore since the Silent Time and that you probably hear for the first time speaking - unless you had the chance to watch some of these movies in the former GDR/DDR.
I consider Dr. Falk Harnack's "Das Beil Von Wandsbek", together with "Obchod Na Korze/The Shop On Main Street" by Jan Kadar, and "Der Verlorene" by and with Peter Lorre as a Triptychon of the best World War II movies. Watch all the three, although the latter is still not available on international DVD (but you may order it from Germany and watch it on your computer or get one of the rare VHS editions edited by New Yorker Release some fifteen or so years ago).
Whoever has seen the scene where the newly "elected" headsman Teetjen (Erwin Geschonnek, who passed away not long ago, 100 years old, forgotten, in an assistant living home close to Leipzig) stands in his borrowed mask and mantel with his ax before the mirror and exercises, will never forget this picture even when he lies on his death-bed. This movie belongs without doubt to the greatest rediscoveries in film history. After having watched it, you will not be the same anymore. R.W. Fassbinder said that what makes a good movie is, that it continues playing in the heads of the watchers when they leave the cinema. Et Voici!
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