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Anne of the Indies (1951)

6.8
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Ratings: 6.8/10 from 639 users  
Reviews: 17 user | 11 critic

LaRochelle, a former pirate captain, is caught by the British. To get his ship back, he works as a spy against other pirates, first of all Blackbeard and Providence. He works on some ships,... See full summary »

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(screenplay), (screenplay), 2 more credits »
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Cast

Complete credited cast:
...
Captain Anne Providence
...
...
Molly LaRochelle
Herbert Marshall ...
Dr. Jameson
...
...
Red Dougal
Francis Pierlot ...
Herkimer
Sean McClory ...
Hackett
Holmes Herbert ...
English Sea Captain
Byron Nelson ...
Bear Handler
Douglas Bennett ...
Bear Wrestler
Mario Siletti ...
Slave Market Auctioneer
Robert R. Stephenson ...
Tavern Host (as Bob Stephenson)
Carleton Young ...
Pirate Mate
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Storyline

LaRochelle, a former pirate captain, is caught by the British. To get his ship back, he works as a spy against other pirates, first of all Blackbeard and Providence. He works on some ships, crossing the Caribbean sea, with the intention of being enchained, when a pirate ship is in sight, to make them believe he's an enemy of the British. One day, his ship is conquered by Captain Providence. What nobody knew before, Providence is a (beautiful, of course) woman. She believes his story and so he joins her crew. But Blackbeard, her fatherly friend, doesn't believe him. Providence and LaRochelle fall in love, although he is married. When LaRochelle tries to deliver her to the British, she forebodes the trap, kidnaps his wife and escapes. As for revenge, she wants to sell his wife on a slave-market. LaRochell gets his ship and his crew back and follows her. ... Written by Christian Wenger <wenger@ls7.informatik.uni-dortmund.de>

Plot Summary | Add Synopsis

Taglines:

The storming, slashing, sweeping saga of history's fabulous pirate queen !


Certificate:

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Details

Country:

Language:

Release Date:

18 October 1951 (USA)  »

Also Known As:

Die Piratenkönigin  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

During his pursuit of the Sheba Queen Capt LaRochelle addresses his grumbling crew. The close up of him shows his neckerchief in a very different position to that shown in the fuller length shots immediately before and after. See more »

Quotes

Captain Pierre François LaRochelle: I've worn irons. I've been spreadeagled and flogged. I've been under the cutlass of Blackbeard himself. And called red-handed cutthroats my friends. And stood by and watched murders and worse. And that's not all.
See more »

Connections

Edited into Spisok korabley (2008) See more »

Soundtracks

Ann of the Indies
Music by Joe Cooper
Lyrics by George Jessel and Samuel Lerner
See more »

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User Reviews

 
Tourneur uses a clichéd genre to examine completely unrelated issues, again :)
9 June 2002 | by (Melbourne, Australia) – See all my reviews

In Anne of the Indies, and not for the first time, Jacques Tourneur takes a fairly clichéd genre (a swashbuckling adventure film doesn't seem particularly flexible) and moulded it to his whim. Other examples include the lesbian subtext of Cat People and critique of populism in Canyon Passage.

And as with these two films, Anne of the Indies' genre bending and most of Tourneur's other semi-studio oddities, it works a charm.

This film is essentially a battle between the feminine and the masculine. Starring Jean Peters as the female-but-hardly pirate Captain Providence, Tourneur uses expectations of gender roles and genre to explore Providence's struggles with her sexual identity. In fact, she remains almost asexual - whilst she shows little interest in men, or only as sexual objects, she is similarly ambivalent (or downright hostile) to women, or "wenches".

Although the cinematography and lighting lacks the stylistic force that is inherent in so many of Tourneur's other films (Cat People, I Walked With A Zombie and Out of the Past most notably), the film is almost thematically flawless. Though these stylistic concerns are to the film's detriment, the script and Tourneur's ability to play strongly to subtle subtexts overcome such problems.


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