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Yvonne De Carlo,
LaRochelle, a former pirate captain, is caught by the British. To get his ship back, he works as a spy against other pirates, first of all Blackbeard and Providence. He works on some ships, crossing the Caribbean sea, with the intention of being enchained, when a pirate ship is in sight, to make them believe he's an enemy of the British. One day, his ship is conquered by Captain Providence. What nobody knew before, Providence is a (beautiful, of course) woman. She believes his story and so he joins her crew. But Blackbeard, her fatherly friend, doesn't believe him. Providence and LaRochelle fall in love, although he is married. When LaRochelle tries to deliver her to the British, she forebodes the trap, kidnaps his wife and escapes. As for revenge, she wants to sell his wife on a slave-market. LaRochell gets his ship and his crew back and follows her. ... Written by
Christian Wenger <email@example.com>
During his pursuit of the Sheba Queen Capt LaRochelle addresses his grumbling crew. The close up of him shows his neckerchief in a very different position to that shown in the fuller length shots immediately before and after. See more »
Captain Pierre François LaRochelle:
I've worn irons. I've been spreadeagled and flogged. I've been under the cutlass of Blackbeard himself. And called red-handed cutthroats my friends. And stood by and watched murders and worse. And that's not all.
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The usual trappings of a pirate movie are here: sailing ships, Caribbean waters, firing cannons, powdered wigs, floggings, gold doubloons, sailors with peg-legs and eye patches, damsels in distress, etc. However, the captain of the pirate ship is a woman, which would seem to provide an opportunity for a fresh slant on an old genre. Unfortunately, Jean Peters seems uncomfortable in this part and her "toughness" never becomes more than a pose. Also, in a concession to the attitudes of the time, she isn't allowed to triumph but instead must "pay" for her usurpation of a male role by moving aside for the properly feminine Debra Paget. The result is a disappointingly conventional affair which, nonetheless, still delivers a passable hour-and-a-half of entertainment.
Like Jean Peters, Louis Jourdan seems miscast since his trademark brand of Continental charm and elegance doesn't fit a role that calls for a dashing athleticism. His physique also seems a bit too thin and pale to make him a suitable subject for a shirtless flogging -- perhaps the only flogging in mainstream movies in which the victim appears to be unconscious from beginning to end. (This scene ranks 95th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies.")
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