Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
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A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound. Written by
Scott Renshaw <firstname.lastname@example.org>
Leslie Caron had suffered from malnutrition during WWII and was not used to the rigorous schedule of filming a movie. Because she would tire so easily, she was only able to work every other day. See more »
In the café before "'S Wonderful", the level in Henri Baurel's sherry glass fluctuates wildly between shots. Also, Adam Cook knocks over his brandy glass and it falls under the table; then it reappears, then disappears. See more »
This is Paris, and I'm an American who lives here. My name is Jerry Mulligan, and I'm an ex G.I. In 1945 when the army told me to find my own job, I stayed on. And I'll tell you why: I'm a painter, and all my life that's all I've ever wanted to do.
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This is a film that belongs firmly to the 50's. Very surprising that American Film Institute has chosen this one for one for the best 100 American movies of all-time. I have seen practically all of the movies on that list, and this one is by far the most disappointing one of those. Musical numbers (and there many, many of them) are VERY overlong and boring, and have absolute no connection with the story. The end of the movie has horribly over-long ballet sequency, which naturally has no real relation to the story of the movie. It must be admitted, that it is very well made, the music is OK, and the dancing done with the highest professional standard - but there is no real reason why the sequence is included in the movie.
The main character of the movie is extremely childlish and unlikeable and behaves in unpolite way. His mental age is about 14. If you want to see a good musical made on the "golden age" of musicals, go and see "Singing in the Rain".
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