| Photos (See all 71 | slideshow) | Videos (see all 13) |
| Humphrey Bogart | ... | Charlie Allnut | |
| Katharine Hepburn | ... | Rose Sayer | |
| Robert Morley | ... | The Brother / Rev. Samuel Sayer | |
| Peter Bull | ... | Captain of Louisa | |
| Theodore Bikel | ... | First Officer | |
| Walter Gotell | ... | Second Officer | |
| Peter Swanwick | ... | First Officer of Shona | |
| Richard Marner | ... | Second Officer of Shona | |
| rest of cast listed alphabetically: | |||
| Errol John | ... | (uncredited) | |
| Gerald Onn | ... | Petty Officer (uncredited) | |
| John von Kotze | ... | German Officer (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| C.S. Forester | (novel "The African Queen") | |
| James Agee | (adapted for the screen by) & | |
| John Huston | (adapted for the screen by) | |
| Peter Viertel | uncredited & | |
| John Collier | uncredited | |
Produced by | |||
| Sam Spiegel | .... | producer | |
| John Woolf | .... | producer (uncredited) | |
Original Music by | |||
| Allan Gray | |||
Cinematography by | |||
| Jack Cardiff | (director of photography) | ||
Film Editing by | |||
| Ralph Kemplen | |||
Art Direction by | |||
| Wilfred Shingleton | |||
Makeup Department | |||
| Eileen Bates | .... | hairdresser | |
| George Frost | .... | makeup artist | |
Production Management | |||
| Leigh Aman | .... | production manager | |
| T.S. Lyndon-Haynes | .... | production manager | |
| Robert Sterne | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Guy Hamilton | .... | assistant director | |
| Bill Herlihy | .... | third assistant director (uncredited) | |
| Bert Pearl | .... | second assistant director (uncredited) | |
Art Department | |||
| John Hoesli | .... | assistant art director | |
| Don Picton | .... | draughtsman (uncredited) | |
Sound Department | |||
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Eric Wood | .... | sound editor | |
| Kevin McClory | .... | boom operator (uncredited) | |
Special Effects by | |||
| Cliff Richardson | .... | special effects | |
Visual Effects by | |||
| John Benn | .... | film technician: Cinesite UK (2009 restoration) | |
| Daphne Dentz | .... | senior digital intermediate producer: Motion Picture Imaging (2009 restoration) | |
| Lorraine Johnson | .... | scanning supervisor: Cinesite UK (2009 restoration) | |
| Valerie McMahon | .... | compositor: Motion Picture Imaging (2009 restoration) | |
| Mitch Mitchell | .... | head of imaging: Cinesite UK (2009 restoration) | |
| Kevin Wheatley | .... | special systems: Cinesite UK (2009 restoration) | |
Camera and Electrical Department | |||
| Ted Moore | .... | camera operator | |
| Edward Scaife | .... | second unit photography (as Ted Scaife) | |
| Steve Birtles | .... | electrician (uncredited) | |
| Desmond Davis | .... | clapper loader: studio (uncredited) | |
| Arthur Graham | .... | camera operator: second unit (uncredited) | |
| Cliff Shirpser | .... | assistant camera: Technicolor (uncredited) | |
| John von Kotze | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Connie De Pinna | .... | costume designer: other clothes | |
| Doris Langley Moore | .... | costumes designed by: Miss Hepburn's | |
| Vi Murray | .... | wardrobe mistress | |
Editorial Department | |||
| Steve Callahan | .... | color timer: Technicolor Film Preservation (2009 restoration) | |
| Jesse Kobayashi | .... | digital intermediate producer: Motiin Picture Imaging (2009 restoration) | |
| Kathleen Largay | .... | digital intermediate assist and conform: Motion Picture Imaging (2009 restoration) | |
| Jan Yarbrough | .... | senior digital intermediate colorist: Motion Picture Imaging (2009 restoration) | |
| Roy Hyde | .... | assistant editor (uncredited) | |
| George Minassian | .... | color technician: Technicolor (uncredited) | |
| Ted Obolensky | .... | assistant editor (uncredited) | |
Music Department | |||
| Norman Del Mar | .... | conductor | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Bunny Allen | .... | location manager (uncredited) | |
| Edward Joseph | .... | location scout (uncredited) | |
| V.B. Lyndon-Haynes | .... | location manager (uncredited) | |
| Kevin McClory | .... | assistant: Mr. Huston (uncredited) | |
| Eva Monley | .... | production assistant (uncredited) | |
| Jeanie Sims | .... | secretary to producer (uncredited) | |
Thanks | |||
| Barry Allen | .... | with gratitude and thanks to: Paramount Pictures (2009 restoration) | |
| Bernadette Curley | .... | with gratitude and thanks to: Romulus Films (2009 restoration) | |
| Lynn O'Leary | .... | with gratitude and thanks to: Paramount Pictures (2009 restoration) | |
| Michael Pogorzelski | .... | with gratitiude and thanks to: The Academy Film Archive (2009 restoration) | |
| Jonathan Woolf | .... | with gratitude and thanks to: Romulus Films (2009 restoration) | |
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| The New World | The English Patient | Hell's Headquarters | Mountains of the Moon | Gone with the Wind |
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This is not the best movie Ford, Bogart, or Hepburn did as individual artists, the but joining of their considerable talents did create a unique and most enjoyable movie that is fondly associated with all of them.
"The African Queen" is a war movie, romance, adventure, comedy, drama, morality tale, and battle of the sexes all in one and it works on all levels. Though it often appears as somewhat "hoaky"...almost like a silent movie at points with its melodramatic score... that's because it does not strive to recreate reality like the usual war movie, it is actually an on location play. You could put it on a Broadway or London stage today and it would still work without a word or inflection changed.
Though this is a movie of many great moments, what stays with you is the blossoming love of Charlie and Rose and how it helps them find the best in themselves for each other. I guess when all is said and done, "The African Queen" is a romance after all.
If you appreciate any of the great artists that created it or just great movie making, this is one for the collection.