September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave... Written by
Because the boat used in the film was too small to carry cameras and equipment, portions of the boat were reproduced on a large raft, in order to shoot close-ups of Humphrey Bogart and Katharine Hepburn. Interior and water-tank scenes were filmed in London, as were most of the scenes containing secondary characters. Robert Morley shot all of his scenes in London, including footage of him preaching, which was edited together with shots of the natives praying, which was filmed in Africa. See more »
Boats float because of the weight of the water that their hulls displace. But the African Queen is an open-topped vessel (no roof), so the boat could not have floated free of the mud and grass just because the rain had made the level of the river rise, since an almost equal "depth" of rainwater would have collected inside the boat as had accumulated on the surrounding terrain, and so the boat would have remained at about the same "height" relative to the surrounding terrain - namely, resting on the shallow river-bottom - as it had been before the rainstorm. Charlie and Rosie would have needed to manually pump/bail the boat out before it would float any higher in the river. See more »
[after Charlie checks the boat for damage after going down a rather rough set of rapids]
Could you see anything, dear?
Yeah. The shaft's twisted like a corkscrew and there's a blade gone off the prop.
We'll have to mend it, then.
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The African Queen is an entertaining film done in grand old Hollywood style, and it is probably the most conventional movie John Huston ever made. It's surprising though that people can call this movie one of the greatest of all time considering the hokey (and at times unbelievable) script and the awkward lack of chemistry between Bogart and Hepburn. Actually, that lack of chemistry creates some strangely funny moments which change the tone of this adventure story--sometimes for the better and sometimes for the worse. The two are never really believable as the characters they are playing, but they are still fun to watch as a couple of stars chewing up the scenery. Bogart's Academy Award for this performance is obviously a Revlon choice in that it makes up for his being overlooked for at least 10 better performances that he gave prior to this one. Huston's direction seems to lose focus in the last 10 minutes or so and the ending is very abrupt, but overall the film is briskly paced and painless. Also worth noting is the wonderful use of African locations as photographed by master cinematographer Jack Cardiff. If you want to see a better film with similar themes, check out Huston's far superior Heaven Knows, Mr. Allison.
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