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Across the Wide Missouri (1951)

Approved  |   |  Adventure, Romance, Western  |  23 October 1951 (USA)
6.2
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.2/10 from 1,300 users  
Reviews: 25 user | 8 critic

Trapper Flint Mitchell and other mountain men from the Rendezvous join forces to enter virgin trapping territory but must contend with a resentful Blackfoot chief.

Director:

Writers:

(screenplay), (story), 2 more credits »
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Title: Across the Wide Missouri (1951)

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Cast

Complete credited cast:
...
...
Ironshirt
John Hodiak ...
Brecan
...
Pierre
J. Carrol Naish ...
Looking Glass
...
Bear Ghost
...
Capt. Humberstone Lyon
George Chandler ...
Gowie
...
Dick Richardson
María Elena Marqués ...
Kamiah
Edit

Storyline

In the 1830's beaver trapper Flint Mitchell and other white men hunt and trap in the then unnamed territories of Montana and Idaho. Flint marries a Blackfoot woman as a way to gain entrance into her people's rich lands, but finds she means more to him than a ticket to good beaver habitat. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Taglines:

A year in the making ! Thousands in the cast !


Certificate:

Approved | See all certifications »
Edit

Details

Country:

Release Date:

23 October 1951 (USA)  »

Also Known As:

Assim São os Fortes  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Uncredited Stuntman, Jack N. Young, who had doubled for Clark Gabel in several movies as they were look-a-likes, was requested by Gabel to be his double on this movie. Gabel asked Mr. Jack if he would do his stunts without credit as it was billed Gabel was doing his own stunts. Mr. Young graciously told Mr. Gabel that was fine. Mr. Young could see that Mr. Gabel was ill and would not be able to do his own stunts as he had in the past. The admiration for each other was never more apparent than this conversation between the two men. See more »

Goofs

When the horse with Gable's son runs away. the child is originally on the right side of the horse. The succeeding shot shows him on the left side of the horse. Later shots show him back on the right side. The anomalous shot is shown again later with the baby now on the correct (right) side, indicating that the film had been flipped. See more »

Quotes

Brecan: Doesn't anything matter to you?
Flint Mitchell: Yeah... trapping.
See more »

Connections

Featured in The Metro-Goldwyn-Mayer Story (1951) See more »

Soundtracks

Skip to my Lou
Traditional
Played on the jaw's harp by Mitchell and heard as a theme
See more »

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User Reviews

 
Trees lie where they fall, and men were buried where they died.
29 May 2010 | by (United Kingdom) – See all my reviews

One of the most frustrating things in cinema is that of the interfering studio. Too many film's, since cinema became the medium so massively loved by so many, have fell victim to this most poisonous fly in the cinematic ointment. One such film to suffer greatly is the William A. Welman directed Western, Across The Wide Missouri. All the elements were in place, a fine story written by Talbot Jennings & Frank Cavett which is worked from Bernard DeVoto's historical study of the American fur trade in the 1830s. Wellman (The Call Of The Wild/Beau Geste/Battleground) at the helm, Hollywood's golden boy Clark Gable in the lead, and a sumptuous location shoot around the San Juan Mountains to be lensed by William Mellor. With all the talk coming out of MGM that they wanted to make an "epic" picture, hopes were high for the early 1950s to have a Western classic on its hands. Enter studio boss Dore Schary who promptly cut the piece to ribbons. So much so that the film, where once it was epic, is now a choppy and episodic 78 minute experience. With a narration by Howard Keel tacked on by Schary just so we can try to make sense of what is {has} gone on. Wellman was rightly miffed and tried to get his name taken off the credits.

Amazingly, what remains is still a recommended piece of film for the discerning Western fan. The locations are just breath taking, expertly shot in Technicolor by Mellor, at times rugged and biting, at others simply looking like God's garden. This part of the world is the perfect back drop for the story as the white man's greed brings them into conflict with the Native Americans. The film also boasts an array of interesting characters, we got the Scots and the French represented alongside the usual suspects, while the tracking and fighting sequences are expertly filmed by the astute Wellman. It was a tough shoot all told too. Ricardo Montalban {Blackfoot Indian Ironshirt} was involved in a horse riding accident, the consequence of which would severely affect him later in his life, while stunt man Fred Kennedy suffered a broken neck when his intentional fall from a horse did not go as planned. The horses too you can see really earned their oats, trekking up hill across sharp jagged rocks and ploughing thru snow drifts, magnificent beasts they be. Joining Gable and Montalban in the cast are John Hodiak, James Whitmore, María Elena Marqués, Adolphe Menjou and Alan Napier. David Raskin provides a suitably at one with the atmosphere score. With Gable on form mixing with the high points Schary left alone, Across The Wide Missouri is more than just a time filler. But the problems exist and it's impossible not to be affected by the annoyance that comes with the old "what might have been" that gnaws away at the viewer at every other turn. 6/10


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