| Photos (See all 14 | slideshow) |
| Bud Abbott | ... | Bud Alexander | |
| Lou Costello | ... | Lou Francis | |
| Nancy Guild | ... | Helen Gray | |
| Arthur Franz | ... | Tommy Nelson | |
| Adele Jergens | ... | Boots Marsden | |
| Sheldon Leonard | ... | Boots Morgan | |
| William Frawley | ... | Det. Roberts | |
| Gavin Muir | ... | Dr. Philip Gray | |
| Sam Balter | ... | Radio Announcer | |
| John Daheim | ... | Rocky Hanlon (as John Day) | |
| Paul Maxey | ... | Dr. James C. Turner, Police Psychiatrist | |
| rest of cast listed alphabetically: | |||
| Walter F. Appler | ... | Professor Dugan (uncredited) | |
| Howard Banks | ... | Officer (uncredited) | |
| Bobby Barber | ... | Sneaky (uncredited) | |
| Richard Bartell | ... | Bald Man (uncredited) | |
| John Breen | ... | Trainer in Gym (uncredited) | |
| Milt Bronson | ... | Ring Announcer (uncredited) | |
| Ralph Brooks | ... | Man at Bar (uncredited) | |
| Tom Coleman | ... | Dugan Detective School Graduate (uncredited) | |
| Russ Conway | ... | Newspaperman (uncredited) | |
| Frank Dae | ... | Col. Duffie (uncredited) | |
| Roy Darmour | ... | Man (uncredited) | |
| Sayre Dearing | ... | Reporter (uncredited) | |
| Ralph Dunn | ... | Motorcycle Cop (uncredited) | |
| Edward Gargan | ... | Milt (uncredited) | |
| Harold Goodwin | ... | Bartender (uncredited) | |
| Dick Gordon | ... | Man (uncredited) | |
| Kit Guard | ... | Fighter on Rowing Machine (uncredited) | |
| Chuck Hamilton | ... | Policeman (uncredited) | |
| Stuart Holmes | ... | Ringsider with Cigar (uncredited) | |
| Kenner G. Kemp | ... | Policeman (uncredited) | |
| Donald Kerr | ... | Fight Spectator Behind Boots (uncredited) | |
| Perc Launders | ... | Cop (uncredited) | |
| George J. Lewis | ... | Torpedo Al (uncredited) | |
| Rory Mallinson | ... | Tough Guy at Bar (uncredited) | |
| Ralph Montgomery | ... | Photographer (uncredited) | |
| William H. O'Brien | ... | Fight Crowd Extra (uncredited) | |
| Franklin Parker | ... | Photographer (uncredited) | |
| Jack Perry | ... | Rocky's Handler (uncredited) | |
| Syd Saylor | ... | Waiter (uncredited) | |
| Edith Sheets | ... | Nurse (uncredited) | |
| Jack Shutta | ... | Attendant (uncredited) | |
| Carl Sklover | ... | Lou's Handler (uncredited) | |
| Billy Snyder | ... | Newspaperman (uncredited) | |
| Brick Sullivan | ... | Dugan Detective School Graduate (uncredited) | |
| Frankie Van | ... | Referee (uncredited) | |
| Herb Vigran | ... | Stillwell (uncredited) | |
| Billy Wayne | ... | Rooney - Rocky's Manager (uncredited) | |
Directed by | |||
| Charles Lamont | |||
Writing credits | ||
| Hugh Wedlock Jr. | (story) and | |
| Howard Snyder | (story) | |
| Robert Lees | (screenplay) and | |
| Frederic I. Rinaldo | (screenplay) and | |
| John Grant | (screenplay) | |
| H.G. Wells | story "The Invisible Man" | |
Produced by | |||
| Howard Christie | .... | producer | |
Cinematography by | |||
| George Robinson | |||
Film Editing by | |||
| Virgil W. Vogel | (as Virgil Vogel) | ||
Art Direction by | |||
| Bernard Herzbrun | |||
| Richard H. Riedel | (as Richard Riedel) | ||
Set Decoration by | |||
| John P. Austin | (as John Austin) | ||
| Russell A. Gausman | |||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Ronald R. Rondell | .... | assistant director (as Ronnie Rondell) | |
Art Department | |||
| Ed Keyes | .... | property master | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
Special Effects by | |||
| David S. Horsley | .... | special effects | |
Visual Effects by | |||
| Roswell A. Hoffmann | .... | optical cinematography | |
Music Department | |||
| Joseph Gershenson | .... | musical director | |
| Daniele Amfitheatrof | .... | composer: stock music (uncredited) | |
| Joseph Gershenson | .... | composer: stock music (uncredited) | |
| Johnny Green | .... | composer: stock music (uncredited) | |
| William Lava | .... | composer: stock music (uncredited) | |
| Milton Rosen | .... | composer: stock music (uncredited) | |
| Miklós Rózsa | .... | composer: stock music (uncredited) | |
| Hans J. Salter | .... | composer: stock music (uncredited) | |
| Walter Scharf | .... | composer: stock music (uncredited) | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
| Eric Zeisl | .... | composer: stock music (uncredited) | |
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| King of Chinatown | Joe Palooka in the Squared Circle | Tough Kid | The Galloping Ghost | Joe Palooka in the Big Fight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
To me, this is arguably the best of the "A&C Meet " series. The boys get mixed up with a prizefighter accused of murder who escapes the cops and gangsters by turning invisible with the help of an experimental serum. Naturally, this leads to an array of amusing hijinks.
The comic potential here is greater than in other A&C monster entries ( Meet Frankenstein; Meet the Mummy; etc.) because the menace here has the power of invisibility. That means the menace can challenge the boys in public without the public knowing it. On the other hand, the other monsters can't mix in public without being seen which narrows the comic potential to haunted houses or other non-public spaces.
For example, take the punching bag scene. It looks like Lou (Costello) has lightning speed rocking the bag when in reality it's the invisible boxer Tommy (Franz) who's doing it. There're a number of set-ups like this where the public is astonished by Lou's apparent powers, while actor Costello milks the comic potential.
That's not to say the other monster entries are not funny to varying degrees. But the monsters are restricted in these movies to scaring everyone in over-the-top fashion, whereas being invisible greatly expands the possibilities, such as the nightclub scene with the poor flummoxed waiter (Syd Saylor) who can't figure out who's doing what.
Anyway, the movie's consistently amusing and inventive. However, I wish we saw more of that great flashy blonde Adele Jergens (Marsden) and that great phony gangster Sheldon Leonard (Morgan). Seeing them together here resembles a match made in some cheap nightclub heaven. All in all, this is one of my A&C favorites among their many comedies.