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The Red Skelton Hour 

The Red Skelton Show (original title)
Long-running weekly show that spotlighted legendary comedian and beloved TV clown, Red Skelton. Each show featured comedy skits, gags and vignettes starring Skelton and guest performers.
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20   19   18   17   16   15   … See all »
2016   1971   1970   1969   1968   1967   … See all »
Won 1 Golden Globe. Another 3 wins & 16 nominations. See more awards »
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Cast

Series cast summary:
...
 Himself - Host / ... (650 episodes, 1951-2016)
David Rose and His Orchestra ...
 Themselves (639 episodes, 1951-1971)
...
 Announcer / ... (524 episodes, 1954-1971)
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Storyline

Long-running weekly show that spotlighted legendary comedian and beloved TV clown, Red Skelton. Each show featured comedy skits, gags and vignettes starring Skelton and guest performers.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-G
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Details

Country:

|

Language:

Release Date:

30 September 1951 (USA)  »

Also Known As:

The Red Skelton Hour  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1951-1962)

Sound Mix:

Color:

(1951-1955 and 1958-1965)| (1955-1958 and 1965-1971)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

On 11 August 2009 the US Postal Service issued a pane of twenty 44¢ commemorative postage stamps honoring early USA television programs. A booklet with 20 picture postal cards was also issued. On the stamp honoring "The Red Skelton Show", Red Skelton appears as his Freddie the Freeloader character. Other shows honored in the Early TV Memories issue were: The Adventures of Ozzie & Harriet (1952), Alfred Hitchcock Presents (1955), The Dinah Shore Show (1951), Dragnet (1951), "The Ed Sullivan Show" (originally titled The Ed Sullivan Show (1948)), The George Burns and Gracie Allen Show (1950), Hopalong Cassidy (1952), The Honeymooners (1955), "The Howdy Doody Show" (original title: The Howdy Doody Show (1947)), I Love Lucy (1951), Kukla, Fran and Ollie (1947), Lassie (1954), The Lone Ranger (1949), Perry Mason (1957), The Phil Silvers Show (1955), "Texaco Star Theater" (titled Texaco Star Theatre (1948), 1954-1956), The Tonight Show (which began as Tonight! (1953)), The Twilight Zone (1959), and You Bet Your Life (1950). See more »

Connections

Referenced in Mystery Science Theater 3000: Pod People (1991) See more »

Soundtracks

Holiday for Strings
by David Rose and Sammy Gallop
WB Music Corporation (ASCAP)
See more »

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User Reviews

Karloff & Vincent Price steal Kadiddlehopper's brain.
23 October 2004 | by (Minffordd, North Wales) – See all my reviews

Red Skelton's TV show was a well-produced variety hour that had an impressively long run, largely due to the big-name guest stars who appeared opposite Red. Although I sometimes laugh at Skelton, I'm not hugely a fan of his work. Red Skelton was one of the most undisciplined performers in the history of showbiz (which is saying a lot!), and he was notorious for 'corpsing' his guest-stars: trying to make them break character and laugh. Supposedly, Skelton had a wide range of comedic characterisations, but most of them were just Red Skelton playing himself with minor changes in costume and situation. Freddie the Freeloader was Skelton playing himself as a hobo, San Fernando Red was Skelton playing himself as a con-man, Cauliflower McPugg (a real Al Capp name!) was Skelton playing himself as a boxer, George Appleby was Skelton playing himself as a henpecked husband, Willie Lump Lump was guess-who as a drunk, Sheriff Deadeye was guess-who as a cowboy, Forsooth was Skelton again as a mediaeval peasant, and so forth. I find Skelton's customary sign-off very annoying: 'Good night, and may God bless.' God bless what or whom? Why couldn't Skelton say 'God bless YOU', or 'God bless us, every one', or something that makes grammatical sense? His other famous catchphrase was 'I dood it', but in this case he doodn't.

The most original part of Red Skelton's show was the closing segment of most episodes. Called 'The Silent Spot', this featured Skelton in a wordless skit, utterly silent except for sound effects and the audience's laughter. TV TRIVIA: The guy who invented the laugh-track machine used audio recordings of Red Skelton's 'Silent Spot' segments as the source for his canned laughter: these contained no dialogue, so the inventor merely cut out the sound effects and had long audio samples of undiluted laughter. Skelton always performed his silent skits alone, sometimes abetted by stuntmen and mute bit players but without any co-star. The only time Skelton varied this formula was (fittingly enough) with guest star Harpo Marx in a World War One sketch, with Skelton as a doughboy and Harpo as a German officer sharing a dugout in No Man's Land.

The 24 September 1968 episode of Red Skelton's show had the unfortunate title 'He Who Steals My Robot Steals Trash'. This episode guest-starred Vincent Price and Boris Karloff in a prolonged spoof on horror movies. Skelton portrayed Clem Kadiddlehopper, who was (as usual) Red Skelton playing himself as a hillbilly. In the first half of the two-act skit, Vincent Price played a mad scientist in search of a brain for his robot. Guess whose brain he decides to use. Encountering farmboy Kaddidlehopper in a field (a very obvious indoor stage set), Price lures him to his lab. All the gags can be seen a mile off. When Clem's hillbilly father learns that Clem has been abducted by a mad scientist, he sadly mourns "I've lost Clem, I've lost Clem..." only to immediately become elated and rush offstage cackling "I've lost Clem! I've lost Clem!"

The second act takes place in Price's lab. It turns out he's the junior partner in a father-and-son team of mad scientists. And now here comes his father, to huge applause from the studio audience: Boris Karloff! The skit itself is unfunny, although it's pleasant to see Karloff gamely guying his own image.

After the commercial break, Karloff and Price take a bow as themselves and perform a jolly little song about their screen careers, in which Price sings the line 'I was the Fly'. It's a bit disorienting to hear him sing this; Vincent Price did indeed star in 'The Fly' but he did NOT play the title role, and he often encountered film fans who thought he HAD played that role.

I'm a fan of Karloff, but at this point (only a few months before his death) that great actor's health was so bad that his appearance is very distressing. Throughout this episode, Karloff spends his entire screen time sitting down, clearly too weak to stand. In the lab sketch, he makes his entrance (and it IS quite an entrance!) aboard a motorised chair that looks like something Blofeld might favour. The chair is extremely bulky, suggesting that Karloff's oxygen tank is stowed aboard. By this time, the lung complaint that would eventually end Karloff's life was so severe that an oxygen cylinder was always close at hand.

During the third-act musical number, Karloff and Price are both seated on a platform that mechanically trundles through the proscenium curtain. Again, it's an effective entrance, and Price's presence aboard the platform makes it less obvious that Karloff is too weak to stand.

I've seen Vincent Price on a much earlier episode of Skelton's show, from the 1950s. His hammy personality worked well with Skelton's humour. Karloff too had made at least one 1950s appearance (famously referenced in a 'Honeymooners' episode) on Skelton's show. If only Karloff and Price had appeared together opposite Skelton circa 1957, when Karloff was still comparatively healthy, that might have been a comedy skit to cherish. As it is, though, Karloff's (inappropriately) cadaverous appearance makes this guest shot a very depressing one indeed. And, given its spookfest atmosphere, I wonder why this pre-recorded episode was aired in September, rather than delaying it another month and showing it at Hallowe'en.


9 of 22 people found this review helpful.  Was this review helpful to you?

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