From the hills of West Virginia, Amos McCoy moves his family to an inherited farm in California. Grandpa Amos is quick to give advice to his three grandchildren and wonders how his neighbors ever managed without him around.
The misadventures of two of New York's finest (a Mutt and Jeff pair) in the mythical 53rd precinct in the Bronx. Toody, the short, stocky and dim-witted one either saves the day or muffs ... See full summary »
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by black comic Flip Wilson, this show featured skits, ... See full summary »
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
Red Skelton was one of the first to recognize that television was a coming medium of entertainment. He was not the only Hollywood personality to do this, but the difference between them and him is that he was on top on the big screen. Many had careers extended or a new lease on life was given to Hollywood names that no longer had box office pull. That was not true with Red Skelton, when he debuted in 1951 on CBS television he was on top of his box office appeal.
What a rich array of characters he brought to the small screen. Anyone my age and a bit younger remembers Clem Kadiddlehopper, San Fernando Red, Freddie the Freeloader and so many more. These are indelible impressions formed on America's consciousness when it needed a laugh or two.
The thing that always impresses me about Red Skelton is that he was so good at all types of comedy, he was quick with some unwritten dialog, he could do standup, he was a pantomimist the equal of Harpo Marx in my opinion. No less an authority than Groucho Marx thought that. I think Red Skelton would have been a big star on the silent screen when pantomime was what it was all about.
He was the son of a former circus clown turned druggist and that's where he got his love for entertaining. He always described himself as a first and foremost a clown. But he was the proverbial sad clown, he had a lot of troubles in life with the substance abuse of his wife Georgia, and the death of their son Richard from leukemia. I well remember that being a big news item when I was a lad.
He said he was put on earth to make people laugh, and Red, so you did.
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