| Photos (See all 138 | slideshow) | Videos (see all 205) |
| Lucille Ball | ... | Lucy Ricardo (181 episodes, 1951-1957) | |
| Desi Arnaz | ... | Ricky Ricardo (181 episodes, 1951-1957) | |
| Vivian Vance | ... | Ethel Mertz (177 episodes, 1951-1957) | |
| William Frawley | ... | Fred Mertz (176 episodes, 1951-1957) |
Series Directed by | |||
| William Asher | (100 episodes, 1952-1957) | ||
| Marc Daniels | (39 episodes, 1951-1953) | ||
| James V. Kern | (39 episodes, 1955-1957) | ||
Series Writing credits | ||
| Bob Carroll Jr. | (178 episodes, 1951-1957) | |
| Madelyn Davis | (178 episodes, 1951-1957) | |
| Jess Oppenheimer | (155 episodes, 1951-1956) | |
| Bob Schiller | (50 episodes, 1955-1957) | |
| Bob Weiskopf | (50 episodes, 1955-1957) | |
Series Produced by | |||
| Desi Arnaz | .... | executive producer / producer / ... (158 episodes, 1952-1957) | |
| Jess Oppenheimer | .... | producer / co-producer (155 episodes, 1951-1956) | |
| Al Simon | .... | associate producer (33 episodes, 1951-1952) | |
| Jack Aldworth | .... | associate producer (22 episodes, 1956-1957) | |
Series Original Music by | |||
| Eliot Daniel | (181 episodes, 1951-1957) | ||
| Wilbur Hatch | (33 episodes, 1951-1954) | ||
Series Cinematography by | |||
| Karl Freund | (149 episodes, 1951-1956) | ||
| Sidney Hickox | (14 episodes, 1956-1957) | ||
| Robert De Grasse | (8 episodes, 1956) | ||
Series Film Editing by | |||
| Bud Molin | (105 episodes, 1953-1957) | ||
| Dann Cahn | (33 episodes, 1951-1952) | ||
Series Casting by | |||
| Mercedes Manzanares | (152 episodes, 1951-1956) | ||
| Kerwin Coughlin | (20 episodes, 1956-1957) | ||
Series Art Direction by | |||
| Ralph Berger | (106 episodes, 1953-1957) | ||
| Larry Cuneo | (17 episodes, 1951-1952) | ||
Series Set Decoration by | |||
| Ted Offenbecker | (2 episodes, 1954) | ||
Series Costume Design by | |||
| Edward Stevenson | (35 episodes, 1955-1957) | ||
| Eloise Jensson | (9 episodes, 1953-1954) | ||
Series Makeup Department | |||
| Max Factor | .... | makeup artist (122 episodes, 1951-1955) | |
| Irma Kusely | .... | hairstylist / hair stylist (99 episodes, 1952-1957) | |
| Hal King | .... | makeup artist (47 episodes, 1955-1957) | |
| Bertha French | .... | key hair stylist (35 episodes, 1951-1952) | |
Series Production Management | |||
| Argyle Nelson | .... | production manager (135 episodes, 1952-1957) | |
Series Second Unit Director or Assistant Director | |||
| Jack Aldworth | .... | assistant director (51 episodes, 1954-1956) | |
| Jerry Thorpe | .... | assistant director (33 episodes, 1953-1954) | |
| James Paisley | .... | assistant director (31 episodes, 1952-1953) | |
| Jay Sandrich | .... | assistant director (14 episodes, 1956-1957) | |
| Edward M. Hillie | .... | assistant director (7 episodes, 1956) | |
Series Art Department | |||
| Ted Offenbecker | .... | set dresser (103 episodes, 1953-1957) | |
| Dick Henrikson | .... | property master (50 episodes, 1954-1956) | |
Series Sound Department | |||
| Cam McCulloch | .... | sound recordist (104 episodes, 1953-1957) | |
| Robert Reeve | .... | re-recording editor (104 episodes, 1953-1957) | |
| Glen Glenn | .... | sound (23 episodes, 1954-1957) | |
| E.C. Norton | .... | re-recording editor (2 episodes, 1956-1957) | |
| Jim Bullock | .... | sound editor (unknown episodes) | |
| John Speak | .... | boom operator (unknown episodes) | |
Series Camera and Electrical Department | |||
| Maury Thompson | .... | camera coordinator (23 episodes, 1956-1957) | |
| Louie Anderson | .... | camera operator (unknown episodes) | |
| Emily Daniels | .... | camera coordinator (unknown episodes) | |
| Sam Leavitt | .... | camera operator (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Eloise Jensson | .... | wardrobe supervisor / wardrobe: Miss Ball / ... (48 episodes, 1953-1955) | |
| Edward Stevenson | .... | wardrobe: Miss Ball / wardrobe: Lucille Ball / ... (12 episodes, 1955-1957) | |
Series Editorial Department | |||
| Dann Cahn | .... | editorial supervisor / supervising editor (136 episodes, 1952-1957) | |
Series Music Department | |||
| Tony Terran | .... | musician: trumpet player (178 episodes, 1951-1957) | |
| Wilbur Hatch | .... | musical director / conductor / ... (135 episodes, 1951-1957) | |
| E.C. Norton | .... | music editor (44 episodes, 1955-1957) | |
| Ralph Carmichael | .... | composer: incidental music (unknown episodes) | |
Series Other crew | |||
| Lee Scott | .... | choreographer (17 episodes, 1951-1952) | |
| Bob Gilbreath | .... | helicopter pilot (unknown episodes) | |
| Hal Hudson | .... | network supervisor (unknown episodes) | |
| Frank Inn | .... | animal trainer (unknown episodes) | |
| Maury Thompson | .... | script supervisor (unknown episodes) | |
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First of all, just about every aspect of this show's premise was implausible: that Lucy and Ricky would even be married to each other and that they would be best friends with the much older Mertzes. (Although William Frawley was 64 when the show started, Vivian Vance was 42, close to Lucille Ball's age, but Ethel was supposed to be much older). Anyway, the show worked in spite of, or maybe even because of this.
Almost every episode was good, except for some weak ones during the first season. And even though the show is over 50 years old, it doesn't seem dated like other old shows. It's still fresh and entertaining, even after repeated viewings.
There are many well-known stories that have to do with Lucille Ball's vanity. She didn't want Ethel to wear nice clothes, so as not to overshadow Lucy. Vivian Vance's wardrobe was purchased off-the-rack in department stores, and Lucille Ball's was designed especially for her. And then there's the rumor that Vivian Vance was contractually obligated to be at least 25 pounds heavier than Lucille Ball. When Vivian Vance returned from summer hiatus one season having lost weight, Lucille Ball said, "You're looking a little too good there, Viv, we're going to have to fatten you up real quick."
Not enough credit goes to the underrated Desi Arnaz. He was a brilliant, talented, and very, very funny man, but not in the same exaggerated over-the-top style of Lucille Ball. His facial expressions are priceless, especially when his eyes literally pop out of his head. It's too bad that he was overshadowed by his more famous wife. Even his daughter, Lucie Arnaz has been known to say that "my mother gets all the credit, but my father was the brains behind the show."