7.2/10
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Young Man with a Horn (1950)

Approved | | Biography, Drama, Music | 9 February 1950 (USA)
A young trumpeter enjoys highs (musical success, fame, and fortune) and lows (sour marriage, death of his mentor, bout with alcoholism).

Director:

Writers:

(screenplay), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
...
Amy North
...
Jo Jordan
...
Willie 'Smoke' Willoughby
Juano Hernandez ...
Art Hazzard
...
Phil Morrison
...
Marge Martin
...
Louis Galba
Orley Lindgren ...
Rick - as a Boy
...
Jack Chandler
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Storyline

Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life, Rick becomes a star trumpeter, but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble. Written by Jerry Milani <jmilani@ix.netcom.com>

Plot Summary | Add Synopsis

Plot Keywords:

friend | trumpeter | band | trumpet | jazz | See All (100) »

Taglines:

A White-Hot Drama about a Red-Hot Jazzman!


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

9 February 1950 (USA)  »

Also Known As:

Der Jazztrompeter  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on March 3, 1952 with Kirk Douglas reprising his film role. See more »

Goofs

Early in the movie when young Rick Martin is walking on the street, a car pulls up to the intersection. Although it on screen only for a moment, it appears to be late 1940s or early 1950s Hudson. This would match the time that the movie was made but would not be right for a boy who ages 15-20 years to become Rick Martin the man. See more »

Quotes

Attendant: I'm afraid it's pneumonia. Think you oughtta get him to a hospital.
Willie 'Smoke' Willoughby: Well, why didn't you send him to a hospital?
Attendant: We didn't have any authorization.
Willie 'Smoke' Willoughby: You got it now.
[takes pen and paper out; writes; hands paper to attendant]
Willie 'Smoke' Willoughby: Get an ambulance; I'm taking him out of here. And call these numbers - tell 'em to get down here right away.
Attendant: [looking at paper] Mrs Martin - is that his wife?
Willie 'Smoke' Willoughby: Yes.
Attendant: And the other one?
Willie 'Smoke' Willoughby: She's *not* his wife.
See more »

Connections

Referenced in The Flying Nun: Young Man with a Cornette (1967) See more »

Soundtracks

The Japanese Sandman
(uncredited)
Music by Richard A. Whiting
Played by Hoagy Carmichael when Smoke first meets Rick
See more »

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User Reviews

 
A very good film that after a while seemed to go on too long.
1 September 2007 | by (Bradenton, Florida) – See all my reviews

Kirk Douglas played a very eager musician who just adored music--particularly when he was able to cut loose from convention and just put his heart into the music. Throughout much of the film, his one abiding love was his trumpet and only towards the end of the film is this love shaken.

I really enjoyed this film, as it was quite a departure for Kirk Douglas to play a jazz-loving trumpet player. The supporting performances were very good (particularly the performances by Hoagy Charmichael and Juano Hernandez) I also found myself enjoying the music quite a bit even though I have never liked jazz.

Yet despite my liking this movie very much, there was a problem with the film and that was that the film lasted a bit too long. The last 2 minutes of the film could easily been condensed, as the long "I'm depressed and feel sorry for myself" routine just seemed to drag and was so atypical of the rest of the film.

By the way, for 1950 this was an amazing film in the way it handles race. Unlike other films of the time, Whites and Blacks interact more or less as equals and there is friendship between Douglas and Hernandez--something you take for granted in films nowadays, but for 1950 it was a amazing and very much appreciated.

By the way, though it often goes by without mention, but the cinematography in this black & white film was amazing--very, very artistic and just beautiful. It reminded me a lot of Film Noir combined with the sensibilities of Ansel Adams.


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