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Woman on the Run (1950)

Passed | | Crime, Drama, Film-Noir | 12 March 1951 (Sweden)
Frank Johnson flees police after becoming an eyewitness to murder. He is pursued around scenic San Francisco by his wife, a reporter, the police, and... the real murderer.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
Eleanor Johnson
...
Dan Legget
...
Inspector Ferris
...
Maibus
...
Detective Shaw
...
Frank Johnson
Jane Liddell ...
Messenger Girl
...
Blonde (as Joan Fulton)
...
Sea Captain
...
Dr. Hohler
...
Sam
...
Suzie (as Rako Sato)
...
Sullivan
Tom Dillon ...
Joe Gordon (as Thomas P. Dillon)
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Storyline

Frank Johnson (Ross Elliott), sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris (Robert Keith), on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor (Ann Sheridan), suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett (Dennis O'Keefe), Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Plot Synopsis

Taglines:

As Startling as Your OWN Scream in the Night!


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

12 March 1951 (Sweden)  »

Also Known As:

Einer weiß zuviel  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Quotes

Eleanor Johnson: [In the dark shadows of roller coaster on the deserted beach at night] I don't like this place.
Danny Leggett: It's a good spot. I used to come here with my girl when I was a kid. It's more frightening than romantic. It's the way love is when you're young... life is when you're older.
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User Reviews

An Odd, Slow But At Times, Enjoyable Film
19 August 2004 | by (New Jersey) – See all my reviews

Had a chance to watch WOMAN ON THE RUN the other night and found it an odd, but at times enjoyable noir. Ann Sheridan plays the title role and the first thing you notice about this movie is that it is chock full of the snappy, sassy dialogue that films like this are all about. Much of that great dialogue provided by Sheridan. She plays the wife of an innocent bystander(Ross Elliott) who witnesses a murder while out walking the dog but rather then help the cops and become a possible target for the killer, he flees. This backfires of course, because not only do the cops want him but also, the killer. Sheridan teams with reporter Danny Leggett, the always terrific Dennis O'Keefe, to try and find her husband before the killer and the cops do. To make matters worse, Sheridan finds out, because she was never told, that her husband suffers from a heart condition that requires medication, which he is out of. The film builds to a bizarre climax with an interesting plot twist that for me, saved the film. I say saved because even though the plot sounds pretty interesting and the characters and performers are excellent, the film is a bit too talky and slow paced at times but it does pick up towards the conclusion. Director Norman Foster does a pretty good job using San Francisco locales and creating the right amount of darkness and shadows for the night scenes. The climax at an amusement park is quite bizarre and put me in mind of an episode of THE TWILIGHT ZONE entitled PERCHANCE TO DREAM. I think I should mention the fine performance also of Robert Keith as the police Inspector who heads the case. An interesting, if at times slow film that comes through at the end.


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