Woman on the Run (1950)Frank Johnson flees police after becoming an eyewitness to murder. He is pursued around scenic San Francisco by his wife, a reporter, the police, and... the real murderer. Director:Norman Foster |
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Woman on the Run (1950)Frank Johnson flees police after becoming an eyewitness to murder. He is pursued around scenic San Francisco by his wife, a reporter, the police, and... the real murderer. Director:Norman Foster |
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| Complete credited cast: | |||
| Ann Sheridan | ... |
Eleanor Johnson
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Dennis O'Keefe | ... |
Dan Legget
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Robert Keith | ... |
Inspector Martin Ferris
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| John Qualen | ... |
Maibus
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Frank Jenks | ... |
Detective Homer Shaw
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Ross Elliott | ... |
Frank Johnson
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Jane Liddell | ... |
Messenger Girl
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Joan Shawlee | ... |
Blonde
(as Joan Fulton)
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J. Farrell MacDonald | ... |
Sea Captain
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Steven Geray | ... |
Dr. Arthur Hohler
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Victor Sen Yung | ... |
Sammy Chung
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Reiko Sato | ... |
Suzie
(as Rako Sato)
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Syd Saylor | ... |
Sullivan
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Tom Dillon | ... |
Joe Gordon
(as Thomas P. Dillon)
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Frank Johnson (Ross Elliott), sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris (Robert Keith), on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor (Ann Sheridan), suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett (Dennis O'Keefe), Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor. Written by Les Adams <longhorn1939@suddenlink.net>
WOMAN ON THE RUN is an infinitely better and more rewarding movie experience now than when it was released in 1950. Saw it back then when I was a child and the only thing I remembered was the terrifically-exciting roller coaster sequence. Seeing it again on DVD makes me appreciate everything about it, a film noir classic. To make such a no-nonsense, concise and plausible crime thriller with a sensational finale today certainly seems to be asking for the impossible. Ann Sheridan, of a certain age, never sexier and looking like a million dollars, dominates the screen, as usual. She can do anything, but overact. She's the real thing. Scenes in this movie bear comparison to Orson Welles' TOUCH OF EVIL and Alfred Hitchcock'S STRANGERS ON A TRAIN. This is a gem - hard-boiled, splendidly-acted, written and photographed.