Kent, the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers... See full summary »
In a marksmanship contest, Lin McAdam wins a prized Winchester rifle, which is immediately stolen by the runner-up, Dutch Henry Brown. This "story of a rifle" then follows McAdams' pursuit, and the rifle as it changes hands, until a final showdown and shoot-out on a rocky mountain precipice. Written by
Herman Seifer <firstname.lastname@example.org>
Authenticity was important to both James Stewart and Anthony Mann, so the actor began preparations well in advance of filming. Stewart had been known to research roles and practice for hours to look convincing in a character's physical task As Mann later described, "[Stewart] was magnificent walking down a street with a Winchester rifle cradled in his arm. And he was great too actually firing the gun. He studied hard at it. His knuckles were raw with practising... It was those sorts of things that helped make the film look so authentic, gave it its sense of reality." An expert from the Winchester company, Herb Parsons, actually did the trick shooting required for the film, and assisted Stewart in his training. See more »
When Lin was chasing Dutch at the end and they had just left Tascosa, they were riding through the desert full of Saguaro cactus which are native to Arizona. Tascosa is in the Texas pan handle near Amarillo. See more »
You've been real fine people, High-Spade, riding along with me.
High-Spade Frankie Wilson:
That's what friends are for, isn't it. At leastways, that's the way you dad always said it.
Yeah, he did, didn't he? He said if a man had one friend, he was rich. I'm rich.
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The film's opening prologue states: This is a story of the Winchester Rifle Model 1873 "The gun that won the West" To cowman, outlaw, peace officer or soldier, the Winchester '73 was a treasured possession. An Indian would sell his soul to own one... See more »
Like the rifle it's named after, "One in a Thousand"
For the viewer who comes upon it long after its making, "Winchester '73" has something in common with "Casablanca." While you watch it, you get this feeling that you're looking at a string of clichés encountered so often in the genre; then you realise that the clichés became clichés only after being copied from this particular film, and that they were so widely copied because this film was so great. In other words, it's a seminal work.
"Winchester '73" is a joy to watch. The broad lines of the plot are somewhat predictable, but mostly because you've seen them copied so many times in later movies, and nevertheless it still contains a number of twists which surprise you. The dialogue, the pacing and Mann's direction are excellent. Stewart shines in particular, and if you're a fan this is a "must-see," but he is not alone in delivering a good performance. Remarkably, many of the most thoughtful and/or witty lines go to minor characters. Because this makes these characters (much) more than cardboard cutouts, it lent additional realism to the film.
This is a remarkably underrated film, and well worth keeping an eye out for. The DVD also contains an interview with Stewart which provides some background on the film.
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