The US Army is under pressure from the desperate relatives of white prisoners of the Comanches to secure their rescue. A cynical and corrupt marshal, Guthrie McCabe, is persuaded by an army... See full summary »
In a marksmanship contest, Lin McAdam wins a prized Winchester rifle, which is immediately stolen by the runner-up, Dutch Henry Brown. This "story of a rifle" then follows McAdams' pursuit, and the rifle as it changes hands, until a final showdown and shoot-out on a rocky mountain precipice. Written by
Herman Seifer <email@example.com>
James Stewart, Anthony Mann and screenwriter Borden Chase seemed very conscious of the fact that McAdam was a clear break from the sort of hero the actor was previously associated with. Chase, in fact, narrowed down the transition to the moment that McAdam confronts Dan Duryea's character in a saloon, smashing his face down onto the bar. As Chase was quoted in Donald Dewey's James Stewart, "When the picture was given a sneak preview, there had even been some titters in the audience at seeing Stewart's name in the opening titles of a western. ...But once he smashed Duryea in that bar, there would be no more snickering." In his book Horizons West, Jim Kitses later echoed this observation when he wrote, "Lin's destruction of Waco is consequently a key moment since it both satisfies our moral expectations and disturbs them, our identification with the hero jarred by the naked violence with which he sets about the villain." See more »
In the gunfight at the Jameson house, it is said that that Noonan's posse consisted of 12 men and was down to 9, and then another of them is shot. However, when the burning wagon is pushed into the house, there are 9 men pushing it. See more »
The film's opening prologue states: This is a story of the Winchester Rifle Model 1873 "The gun that won the West" To cowman, outlaw, peace officer or soldier, the Winchester '73 was a treasured possession. An Indian would sell his soul to own one . . . See more »
Like the rifle it's named after, "One in a Thousand"
For the viewer who comes upon it long after its making, "Winchester '73" has something in common with "Casablanca." While you watch it, you get this feeling that you're looking at a string of clichés encountered so often in the genre; then you realise that the clichés became clichés only after being copied from this particular film, and that they were so widely copied because this film was so great. In other words, it's a seminal work.
"Winchester '73" is a joy to watch. The broad lines of the plot are somewhat predictable, but mostly because you've seen them copied so many times in later movies, and nevertheless it still contains a number of twists which surprise you. The dialogue, the pacing and Mann's direction are excellent. Stewart shines in particular, and if you're a fan this is a "must-see," but he is not alone in delivering a good performance. Remarkably, many of the most thoughtful and/or witty lines go to minor characters. Because this makes these characters (much) more than cardboard cutouts, it lent additional realism to the film.
This is a remarkably underrated film, and well worth keeping an eye out for. The DVD also contains an interview with Stewart which provides some background on the film.
19 of 26 people found this review helpful.
Was this review helpful to you?