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The White Tower (1950)

 -  Adventure  -  24 June 1950 (USA)
6.1
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Ratings: 6.1/10 from 429 users  
Reviews: 17 user | 2 critic

Six people come together in the Swiss Alps to climb a mountain, known as 'The White Tower,' which has never been climbed. While struggling together to conquer the obstacle, each climber shows his true worth, or lack of.

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(screenplay), (novel)
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Title: The White Tower (1950)

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Cast

Cast overview:
...
Martin Ordway
...
Carla Alton (as Valli)
...
Paul Delambre
Oskar Homolka ...
Andreas (as Oscar Homolka)
...
Dr. Nicholas Radcliffe (as Sir Cedric Hardwicke)
...
Mr. Hein
June Clayworth ...
Mme. Astrid Delambre
Lotte Stein ...
Frau Andreas
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Storyline

The White Tower, a Matterhorn-like mountain in the Swiss Alps, has never been climbed. Carla Alten's father, a famous mountaineer, died in a long-ago attempt. Now, Carla, determined to fulfill her father's dream, has assembled an unusual climbing party to tackle the nearly-impossible ascent. Written by hypercritical

Plot Summary | Add Synopsis

Taglines:

Every gasping thrill in color by Technicolor!

Genres:

Adventure

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

24 June 1950 (USA)  »

Also Known As:

Hölle am weißen Turm  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

When scaling the last bit of the peak near the end, it's obvious that studio lights were being used as there are multiple shadows of Glenn Ford going in multiple directions. See more »

Quotes

Mr. Hein: [Admonishing his fellow climbers for resting too frequently] To rest is not to conquer.
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User Reviews

 
Serious, competent, yet highly dull movie about mountain-climbing...
26 September 2009 | by (las vegas, nv) – See all my reviews

Young woman returns to her Swiss hometown and is determined to climb a virgin peak, the infamous "White Tower", which even her mountaineer father could not scale. She recruits a disparate group of men to accompany her, including ne'er-do-well Glenn Ford who has love in his eyes. Screenwriter Paul Jarrico adapted James Ramsey Ullman's novel for the screen, with hardly a trace of good humor but much strenuous character interaction. The RKO production is solid, with a good deal of on-location shooting in saturated Technicolor, but there's nothing charismatic about these people. Driven into danger by different ideals, they're hardly more than stock figures. Some of Ray Rennahan's cinematography is striking (particularly at the beginning), and Roy Webb composed a lovely score, yet this is hardly a classic instance of rugged adventure. ** from ****


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