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Where Danger Lives (1950)

Not Rated | | Crime, Film-Noir, Thriller | 14 July 1950 (USA)
A young doctor falls in love with a disturbed young woman, becomes involved in the death of her husband, and has to flee with her to the Mexican border.

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(screenplay), (story)
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Cast

Complete credited cast:
...
Dr. Jeff Cameron
...
Margo Lannington
...
...
Julie Dorn
Charles Kemper ...
Police Chief
Ralph Dumke ...
Klauber
Billy House ...
Mr. Bogardus
Harry Shannon ...
Dr. Maynard
Philip Van Zandt ...
Milo DeLong
...
Dr. Mullenbach
Lillian West ...
Mrs. Bogardus
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Storyline

One night at the hospital, young doctor Jeff Cameron meets Margo, who's brought in after a suicide attempt. He quickly falls for her and they become romantically involved, but it turns out that Margo is married. At a confrontation, Margo's husband is killed and Jeff and Margo flee. Heading for Mexico, they try to outrun the law. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Add Synopsis

Taglines:

She's tempting in a penthouse and dangerous in a bordertown dive! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

14 July 1950 (USA)  »

Also Known As:

White Rose for Julie  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The symptoms Jeff describes to Margo at the side of the road are more than just a concussion - they are of an evolving subdural hematoma. See more »

Quotes

Margo Lannington: Poverty's sordid!
See more »

Connections

Featured in Where Danger Lives: White Rose for Julie (2007) See more »

Soundtracks

I'm Living in a Great Big Way
(uncredited)
Music by Jimmy McHugh
Lyrics by Dorothy Fields
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User Reviews

 
Brilliant direction, spellbinding performances
24 December 2007 | by (United Kingdom) – See all my reviews

This is in the top rank of noir films. John Farrow's direction is absolutely brilliant, and raises this film to its high level of excellence. Faith Domergue, aged 26, is at her most succulent, petulant, and at the very highest end of the fatale spectrum. Her luscious lips are lingered over by the camera, her misty eyes, her welcoming and lingering look, how could Robert Mitchum resist? And he doesn't. But in noir, the bigger-eyed and more soulful the dame is, the deeper are her problems. Faith turns out to be seriously psychologically disturbed, indeed psychotic, whingeing that 'nobody pities me' after smothering her much older husband to death. Claude Rains is perfect as the husband. He is not on screen for long (Faith sees to that), but he sets the tone for the whole ensuing saga of desperate, paranoid fear and flight. It is true that this film, while appearing to show reality in a brutally frank and straightforward manner, becomes increasingly surreal. There is a brilliant cameo by Tol Avery as 'Honest Hal the used car salesman', which is terrifying in its contrast of bonhomie and jollity with sinister and unscrupulous manipulation. As Mitchum and Domergue run and run, trying to reach the Mexican border, they seem to be taking parallel journeys inside their own minds, which is truly 'where danger lives'. Mitchum has much more opportunity to do some real acting in this film than usual, and does it very well indeed. He spends much of the film concussed after a blow on the head with a fire poker, and he is particularly convincing at being confused, which helps the reality distortion grow and proliferate with such effect. This is very much an edge-of-the psychiatrist's couch thriller, and is harrowing in the extreme. The two characters are not only running from the police, they are running from something archetypal, from the bear, from the wolf, from whatever the monster is in the dream, the one that pursues us all and has done since we lived in caves and it tried to get in and eat us. The power of a woman to reduce a hulking hunk to a heap of jelly, to pulverise the intelligence of a sensible doctor and make him into an idiot, are well shown here. In the end, it works because Domergue is so utterly convincing as the character Margo Lannington. As my wife said to me while watching this film: 'I'm not ever going to let you meet any women called Margo.' Everyone can agree that, faced with Faith Domergue as she was in 1950, any man would be powerless to help himself. And by the way, Faith Domergue was her real name. She didn't even have to invent it, any more than she needed to invent her siren qualities. Just think how many of us are safe now that she's gone!


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