John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
The US Army is under pressure from the desperate relatives of white prisoners of the Comanches to secure their rescue. A cynical and corrupt marshal, Guthrie McCabe, is persuaded by an army... See full summary »
Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest a very old-fashioned, traditional fellow for assault... See full summary »
Legendary director John Ford's final film involving seven dedicated missionary women in China circa 1935 trying to protect themselves from the advances of a Mongolian barbaric warlord and his cut-throat gang of warriors.
When Willie leaves home to join the war effort he is all ready to become a hero, but he is only frustrated when his posting ends up to be in his home town, and he is recruited into training, keeping him from the action. However, when he finds himself accidently behind enemy lines he unexpectedly becomes a hero after all. Written by
David Gibson <firstname.lastname@example.org>
Was an announced movie during the motion picture "Mash." See more »
When the P38 Lightning is flying, it produces a single radial engine sound effect.
The radial engine has it's own distinct sound.
The P38 uses two water-cooled twelve cylinder (V12) engines with a complete different sound than the air-cooled radial engine. See more »
Unjustly overlooked (and unfairly chopped up) Ford semi masterwork.
This unheralded opus from one of our greatest directors seems both oddly timed, (5 years after the end of combat in WWII), and unfortunately truncated. The thankfully preserved out-takes presented as deleted scenes on the DVD reveal that this may have been intended as Ford's only full fledged musical....which would have stood in strong contrast to his magnum opuses of this period (the beloved cavalry trilogy)...
As it stands the finished edit is shockingly good on all accounts...full of the director's astonishing eye for human detail and subtle performance. It plays like a slightly warmer hearted Preston Sturges wartime wacky fest (with William Demarest cementing the connection by almost reprising his great role in "The Miracle of Morgan's Creek".
The few numbers that remain are a tantalizing glimpse of how delightful a longer cut would have been...and the (incomplete) outtakes are both delicious and heartbreaking...
One has to wonder who decided to edit the film down...and how much more successful (and remembered) it might have been as Ford's big wartime set musical...
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