A cameraman helps a heiress to get rid off her finacial adviser, who wants to get her money.

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Cast

Complete credited cast:
...
Rusty Cammeron / Pop Cammeron / Grandpop Cammeron
...
Lucia Corlane
...
Miss Lucky Vista
...
Grantland D. Farns
...
Mrs. Shanway (as Pam Britton)
Richard Rober ...
Mr. Hugh Shanway
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Storyline

"Rusty" Cammeron tries to get out of debt by doing some free-lance newsreel photography, but his efforts fall woefully short and end in some kind of mishap. Lucia Corlaine rescues him from drowning and he falls madly in love with her. Lucia, a wealthy young lady, is trying to build a real estate project but a group of crooks and swindlers are out to stop her. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Clicks with the Chicks

Genres:

Comedy | Crime | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

12 January 1951 (USA)  »

Also Known As:

Brustbild bitte!  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When Red Skelton unsuccessfully shares an (un)dressing room with a large man, it is a reenactment of a Buster Keaton gag from The Cameraman. See more »

Connections

Featured in 100 Years of Comedy (1997) See more »

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User Reviews

 
You'll see Red --
1 August 2007 | by (Toronto, Canada) – See all my reviews

---and see him in three roles in this B / W comedy of his. His first is the lead role of Rusty a bumbling photographer who is trying to save the family business; his father a rather old fashioned and quiet guy that might be Rusty one day if not for his Grandfather (the third role), a playboy a heart, who shows Rusty how to handle a woman properly. The special shots of the three of them and even two of the same characters are great and there is no blurring screen or noticeable break in the film.

This film may be only for Skelton fans, of which I am not really one, but I did found a lot of the routines here funny (especially a scene in a Dr.'s change room) and did laugh out loud at some of Skelton's delivery and timing. The girls are great - Arlene Dahl and Ann Miller. They have their share of gags, though Miller is quite far the funniest of the pair. Some tributes to old movies are obvious, especially in the final chase scene. The only scene people might find objectionable today is where Grandpa tells Rusty how to handle and keep a woman by showing him old Clark Gable and Robert Taylor movies.

This is great preservation of a moment in cinema history.


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