Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk and Melvin soon offers to do a photo spread... See full summary »
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine ... See full summary »
Newspaper photographer Jim Tyler sneaks into a society girl's wedding, and the bride's sister (mad-cap heiress Sheila Hunter) decides she prefers him to her upper-crust suitors. She even ... See full summary »
Ex-convict Danny Kean decides to become honest as a photographer for a paper. He falls in love with Patricia, the daughter of the policeman who arrested him. Mr Nolan, her father, doesn't ... See full summary »
Ambrose C. Park (Red Skelton), left on a park bench as an infant with an impulsive need to find his parents, is an assistant to a diamond cutter. Shyster lawyer Remlick (James Whitmore), in... See full summary »
"Rusty" Cammeron tries to get out of debt by doing some free-lance newsreel photography, but his efforts fall woefully short and end in some kind of mishap. Lucia Corlaine rescues him from drowning and he falls madly in love with her. Lucia, a wealthy young lady, is trying to build a real estate project but a group of crooks and swindlers are out to stop her. Written by
Les Adams <firstname.lastname@example.org>
Remake of Buster Keaton's 1928 success "The Cameraman" features Red Skelton at his most amiable, playing a salesman in his family's camera store (Cammeron & Son & Son) who helps the heiress of a major construction company thwart her crooked partner, who's planning on driving her out of business. The plot isn't taken at all seriously; instead, the film is comprised mainly of comic vignettes, some hilarious, with Skelton also playing his own father and wily grandfather. Gets off to a wonderful start, but loses steam along the way despite slapstick climax. The cramped dressing room bit has hardly any relation to the story yet remains a laugh-out-loud highlight, and Ann Miller is a hoot as a beauty contest winner who's always getting slugged. Skelton has some wonderful scenes, double takes, and pratfalls--and, as usual, he's quietly charming while attempting to win over the girl of his dreams. **1/2 from ****
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