6.6/10
520
19 user 13 critic

Walk Softly, Stranger (1950)

Approved | | Crime, Film-Noir, Drama | 14 October 1950 (USA)
An ex-hood hopes to start a new life under an assumed name in a small town but his past catches up with him when an old crime-buddy asks him to help with a casino heist.

Director:

Writers:

(screen play), (based on a story by) (as Manny Seff) | 1 more credit »
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Cast

Complete credited cast:
...
Chris Hale aka Steve
...
Elaine Corelli (as Valli)
...
Mrs. Brentman
...
Whitey Lake
...
...
Gwen
...
Morgan
Howard Petrie ...
Bowen
...
A.J. Corelli
...
Miss Thompson
...
Mabel
Robert Ellis ...
Skating Boy
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Storyline

A charming, smooth-talking gambler calling himself Chris Hale arrives in Ashton, home of the Corelli shoe factory. Claiming to have lived there as a boy, he soon ingratiates himself with the townspeople... including attractive heiress Elaine Corelli, wheelchair-bound since a recent accident. Chris, hoping to leave crime behind, seems to have excellent prospects; but of course, his past catches up with him... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

The stars of "The 3rd Man" in a NEW exciting adventure! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 October 1950 (USA)  »

Also Known As:

Weep No More  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Completed in 1948, copyrighted in 1949, but not released until 1950. See more »

Quotes

Bowen: I like to keep my neck in shape. I stick it out so often.
See more »

Connections

Referenced in American Masters: Jack Paar: 'As I Was Saying...' (1997) See more »

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User Reviews

 
Good Film
15 May 2006 | by (United States) – See all my reviews

This one features a typically restrained performance by Cotton, a strong depiction of his weasly partner and moral antithesis by Paul Stewart and, as always, good supporting work by the ebullient Spring Byington. The star, however, is Valli, who moves from a vulnerable cripple to a radiant smile as some kids sing a Christmas carol to her through the window of Cotton's wonderful Packard convertible. The film may end unconvincingly, as some auditors argue, but at least it ends in a minor key. The effective opening 3/4 may have earned that ending. But see it for Valli, who (as someone suggested) should have gotten an Oscar for this one.


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