Wagon Master (1950)

User Rating:

7.2/10   

Director:

John Ford

Writers:

Patrick Ford (written by)
Frank S. Nugent (written by)

Release Date:

19 April 1950 (USA)

Genre:

Western

Plot:

A group of Mormons hoping to found a new colony in the trackless San Juan River country hire horse traders Travis and Sandy as wagonmaster and guide...

Plot Keywords:

Mormon | Guide | Desert | Wagon Train | Medicine Show

Cast

Ben Johnson	...	Travis Blue
Joanne Dru	...	Denver
Harry Carey Jr.	...	Sandy
Ward Bond	...	Elder Wiggs
Charles Kemper	...	Uncle Shiloh Clegg
Alan Mowbray	...	Dr. A. Locksley Hall
Jane Darwell	...	Sister Ledeyard
Ruth Clifford	...	Fleuretty Phyffe
Russell Simpson	...	Adam Perkins
Kathleen O'Malley	...	Prudence Perkins
James Arness	...	Floyd Clegg
Francis Ford	...	Mr. Peachtree
Fred Libby	...	Reese Clegg
Jim Thorpe	...	Navajo
Mickey Simpson	...	Jesse Clegg

Also Known As:

Wagonmaster (USA) (alternative spelling)

Runtime:

86 min

Country:

USA

Language:

English | Navajo

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Finland:K-12 (1964) | Finland:K-16 (1951) | UK:PG | UK:U (original rating) | Iceland:12 | West Germany:16 (f) | USA:Approved (PCA #14314) | Sweden:15

Filming Locations:

Colorado River, Moab, Utah, USA

Company:

Argosy Pictures

Trivia:

When Elder Wiggs breaks up the fight between Sandy and Jackson, a dog joins in and tears one of the legs of his pants. This was not in the script. It just happened on the set, and John Ford had liked it so much he kept it in the film.

Goofs:

Continuity: During the dance, when done going around in a circle, Travis has his hand on Denver's waist, in the next shot it is on her shoulder.

Quotes:

Sandy: I was gonna say Hades, but Hell ain't cussin' - it's geography!

Movie Connections:

References She Wore a Yellow Ribbon (1949)

Soundtrack:

SONG OF THE WAGON MASTER

Marvellous Western

"One hundred years have come and gone since 1849"intone the Sons of the Pioneers over the titles of the movie ,thus establishing what we are about to see is a reminiscence of the days when the West was opened up.The movie is ballad heavy indeed,and could be seen as the movie that most precisely mirrors Ford's love of music,which is shown as a unifying force bringing communities together .Ford was to claim it was his favourite movie-one which,together with "The Fugitive"and "The Sun Shines Bright"saw him most accurately achieve what he set out to do It is an intimate epic whose episodic narrative focuses on the exploits of a Mormon wagon train leaving the inhospitable climes of the city to seek out the "promised land"near the San Juan River.They are guided by two horse traders,played by those dependable Ford repertory company members Ben Johnson and Harry Carry Jnr .Indians are encountered but ,uniquely for a wagon train movie they are friendly and there is no grand scale Indian attack.Instead the chief menace comes from an outlaw gang headed by the truly evil Uncle Silas(a mesmerising performance by Charles Kempson)and featuring rare unsympathetic roles from James Arness and Hank Worden.It is they who bring trouble on the train and menace its inhabitants.

The casting is perfect.Ford normally relied on iconographic peformers like Wayne ,Fonda or Stewart but by casting Johnson and Carry he chose the "right size"actors 'ones who are more able to suggest the decent ordinary men who will lay it on the line for the right cause and can persuade an audience they just might lose Good to see Alan Mowbray as an itinerant showman reprising the type of role he played so memorably in My Darling Clementine and Ward Bond as the worldly Mormon leader is fine.Only two problems for me with the movie-love interest in the form of Joanna Dru did not convince and I could not believe Mormons were as liberal as depicted here.Minor quibbles apart it is a beautiful movie with atmospheric monochrome photography and a love for the material and the era it celebrates shining through.Elsewhere on this site-its Message boards to be exact-Ford detractors have started their pettifogging sniping.I would like to think this movie would silence their iconoclastic jejeune ravings but probably not. Enjoy and wallow in its visual and emotional beauty