IMDb RATING
7.1/10
5.5K
YOUR RATING
Two young drifters guide a Mormon wagon train to the San Juan Valley and encounter cutthroats, Indians, geography, and moral challenges on the journey.Two young drifters guide a Mormon wagon train to the San Juan Valley and encounter cutthroats, Indians, geography, and moral challenges on the journey.Two young drifters guide a Mormon wagon train to the San Juan Valley and encounter cutthroats, Indians, geography, and moral challenges on the journey.
- Director
- Writers
- Frank S. Nugent
- Patrick Ford
- John Ford(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the scene where Sandy (Harry Carey, Jr.) and Jackson (Chuck Hayward) fight, the fight is broken up by Elder Wiggs (Ward Bond). Bond has ripped pants as he separates the fighters, and you can hear a dog barking in the background. This happened because Director John Ford wanted to use two dogs, that had been ruining every scene in the film by fighting, in the background as the men fought, hoping the dogs would start fighting as a contrast to the men fighting. Instead of fighting, however, one of the dogs ran away, and the other attacked Bond and ripped his pants. Ford could barely contain his laughter, but kept filming. Afterward, he became quite concerned and said they needed to find the dog, in case it had bitten Bond, not just ripped his pants. Ford was worried the dog might have needed a tetanus shot.
- GoofsWhile the peaceful Mormon homesteaders may not have been carrying sidearms, that they would also not have rifles and shotguns (for hunting and protection from animals) seems unlikely. Certainly 19th century Mormons didn't have an aversion to firearms - one of the greatest gun designers in history, John M. Browning, was a practicing Mormon.
- Quotes
Uncle Shiloh Clegg: You boys ever draw on anybody?
Travis Blue: No, sir. Just snakes.
[later, after Travis shoots Clegg]
Elder Wiggs: I thought you never drew on a man?
Travis Blue: That's right, sir. Only on snakes.
- ConnectionsEdited into Trail Guide (1952)
- SoundtracksWAGONS WEST
Words and Music by Stan Jones
Recorded by Sons of the Pioneers (as The Sons of the Pioneers)
Sung (behind credits) by the Sons of the Pioneers (uncredited)
Featured review
"Fell in behind the wagon trail"
The Western can be divided into many sub-genres. One of the broadest divisions is that between Town Westerns and Plains Westerns. Most Westerns are a mix of both, but at one end of the spectrum you have pictures like High Noon and Rio Bravo that take place almost entirely in a settlement, seldom venturing out into the real outdoors. At the other end you have ones like Wagon Master, where there is barely a homestead on view amid the wilderness.
Director John Ford normally thrived on the "bit of both" Westerns, shooting the interiors with an emphasis on their being small and confined, and then contrasting this with the wide open exteriors, which appeared both exciting and dangerous. Wagon Master has a typical Frank Nugent script, with some interplay between seasoned oldsters and green youngsters, but still it presents Ford with some fresh challenges. In this picture, the dangers do not come from the harshness of the landscape, they come from within the group in the form of the Cleggses. What's more, the absence of real interior scenes means the outdoors could lose its impact over time.
However, Ford was a real maestro when it came to manipulating space. He shoots scenes of the camp or the wagons so the frame is surrounded and we get that same sense of enclosure as we would in a genuine interior. Also, compared to his other Westerns, he does not in fact open out the space too much, having the wagon trail wend its way through canyons and passes rather than cross the stark and empty plains. One of the few moments where he does throw the landscape wide open is when the Indians are spotted and there is the possibility of a threat from outside.
Wagon Master features some surprisingly effective moments of comic relief, and some great contributions from the quirky cast. Harry Carey Jr. was shaping up into a fine actor like his pa, and this is one of his better early roles. Joanne Dru was disappointing in She Wore a Yellow Ribbon, but she appears more at ease as a character with a bit of sass, and is actually fairly good here. Jane Darwell, who won an Oscar in the John Ford-directed Grapes of Wrath a decade earlier, appears here with sole function of performing a running gag in which she sounds a feeble old horn. Still, with her great timing and movement she makes the piece work. Francis Ford, in one of the many mute drunkard roles he played in his little brother's pictures, is at his cheeky best.
And now we come to lead man Ben Johnson. Although he was by no means a bad actor, he was never going to become a big star like John Wayne. And yet, with his effortless horsemanship and easygoing drawl, he was one of the most authentically "West" players around. And this brings me onto my final point. This was apparently one of Ford's personal favourites, despite it seeming fairly unassuming. Wagon Master has no grand theme or dramatic intensity, it is simply the genre playing itself out. I think this is what Ford loved about it. It's a picture for the Ben Johnsons and the Harry Carey Jrs, not the John Waynes or the Henry Fondas. Small in scope, but worthy in its class.
Director John Ford normally thrived on the "bit of both" Westerns, shooting the interiors with an emphasis on their being small and confined, and then contrasting this with the wide open exteriors, which appeared both exciting and dangerous. Wagon Master has a typical Frank Nugent script, with some interplay between seasoned oldsters and green youngsters, but still it presents Ford with some fresh challenges. In this picture, the dangers do not come from the harshness of the landscape, they come from within the group in the form of the Cleggses. What's more, the absence of real interior scenes means the outdoors could lose its impact over time.
However, Ford was a real maestro when it came to manipulating space. He shoots scenes of the camp or the wagons so the frame is surrounded and we get that same sense of enclosure as we would in a genuine interior. Also, compared to his other Westerns, he does not in fact open out the space too much, having the wagon trail wend its way through canyons and passes rather than cross the stark and empty plains. One of the few moments where he does throw the landscape wide open is when the Indians are spotted and there is the possibility of a threat from outside.
Wagon Master features some surprisingly effective moments of comic relief, and some great contributions from the quirky cast. Harry Carey Jr. was shaping up into a fine actor like his pa, and this is one of his better early roles. Joanne Dru was disappointing in She Wore a Yellow Ribbon, but she appears more at ease as a character with a bit of sass, and is actually fairly good here. Jane Darwell, who won an Oscar in the John Ford-directed Grapes of Wrath a decade earlier, appears here with sole function of performing a running gag in which she sounds a feeble old horn. Still, with her great timing and movement she makes the piece work. Francis Ford, in one of the many mute drunkard roles he played in his little brother's pictures, is at his cheeky best.
And now we come to lead man Ben Johnson. Although he was by no means a bad actor, he was never going to become a big star like John Wayne. And yet, with his effortless horsemanship and easygoing drawl, he was one of the most authentically "West" players around. And this brings me onto my final point. This was apparently one of Ford's personal favourites, despite it seeming fairly unassuming. Wagon Master has no grand theme or dramatic intensity, it is simply the genre playing itself out. I think this is what Ford loved about it. It's a picture for the Ben Johnsons and the Harry Carey Jrs, not the John Waynes or the Henry Fondas. Small in scope, but worthy in its class.
helpful•71
- Steffi_P
- Nov 23, 2009
- How long is Wagon Master?Powered by Alexa
Details
Box office
- Budget
- $999,370 (estimated)
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.37 : 1
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