Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera, but comes to...
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In Philadelphia, the soprano Prudence Budell returns from Europe after a period of five years training in the best Europeans music schools. Her millionaire grandmother Abigail Trent Budell ... See full summary »
Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso ... See full summary »
The brilliance of one of the world's most beloved tenors and the exciting world of opera highlight this delightful romantic adventure set in the most beautiful cities of Europe. Tonio Costa... See full summary »
Johanna von Koczian,
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
On a train to Rome, the American singer Marc Revere meets the Italian Raffaela. He notices that she intends to work and live at her uncle's. When he gives her a ride, it turns out that said... See full summary »
Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera, but comes to regret this rash decision when the singers fall in love. Written by
Although they had previously appeared together in That Midnight Kiss (1949), Kathryn Grayson and Mario Lanza did not get along while making this film. While shooting the love duet scene from "Madame Butterfly," Grayson recalled that Lanza kept trying to French kiss her, which was made even more unpleasant by the fact that he kept eating garlic before shooting. To counter this, Grayson had costume designer Helen Rose sew pieces of brass inside her glove. Each time Lanza attempted to French kiss her, Grayson would smack him in the face with her brass-loaded glove. One of these smacks was included in the movie. See more »
Three-quarters of the way through the "Tina-Lina," Pierre's trousers develop a tear at the seam near the hip, which magically repairs itself in the next shot. See more »
Since society began there's been a way of doing things right and a way of doing them wrong.
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Hokey almost beyond belief but also bright and colorful this can be enjoyed in a mindless way. The story is meaningless anyway since the picture serves merely as an excuse to highlight both Kathryn Grayson and Mario Lanza's voices and on that basis it succeeds well. As for the rest of the movie it provides a very young Rita Moreno one of her first roles of any size as Mario's wharf-side spitfire girl, she performs well and has a nice dance number with James Mitchell. David Niven does what he can to make something out of his nothing role as Kathryn's benefactor and his dignity does much to balance out the overacting hamminess of J. Carrol Naish's Uncle Nicky. The real reason to watch this though is a great deal of good music highlighted by the beautiful Be My Love.
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