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To Joy (1950)
"Till glädje" (original title)

7.3
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Ratings: 7.3/10 from 1,127 users  
Reviews: 14 user | 12 critic

Two violinists playing in the same orchestra fall in love and get married, but they can't get along.

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Title: To Joy (1950)

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Cast

Complete credited cast:
Maj-Britt Nilsson ...
Marta Olsson
Stig Olin ...
Stig Eriksson
Birger Malmsten ...
Marcel
John Ekman ...
Mikael Bro
Margit Carlqvist ...
Nelly Bro
...
Sönderby
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Storyline

Stig, a visiting soloist to a small Swedish orchestra, marries fellow musician Martha, but the inner torment and sense of failure in Stig leads to an extra-marital affair and a tragic ending. Written by Edward Terence Ferrari <e.t.ferrari@sheffield.ac.uk>

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Genres:

Drama

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Release Date:

20 February 1950 (Sweden)  »

Also Known As:

To Joy  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of four Ingmar Bergman films never released theatrically in the US, although it did appear in America on videotape in 1984. See more »

Connections

Featured in Victor Seastrom (1981) See more »

Soundtracks

SYMPHONY NO 9, OP. 125 ('AN DIE FREUDE')
Music by Ludwig van Beethoven
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User Reviews

 
Early Bergman and one of the better ones
9 February 2013 | by (United Kingdom) – See all my reviews

Ingmar Bergman has rapidly become one of my favourite and most admired directors. He did go on to better things than To Joy and his other early films, but a lot of promise can be seen here. The characters are not as dimensional or compelling in their realism, like in the best of Bergman's films, Marta can be seen as too perfect and Stig is not an easy person to like at all. However, the acting is very good. Stig Olin and Maj-Brit Nilsson give strong performances but Victor Sjostrom gives the best performance. As ever with Bergman, To Joy is superbly directed, while the script is thoughtful and the film itself is beautifully shot. The story is intriguing and paced well, and there are some good themes that are well done they were written even more compellingly in Bergman's later films. The music is amazing and utilised beautifully. Overall, one of the better Bergman films if not among his better overall ones. 8/10 Bethany Cox


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