In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission... See full summary »
One dark summer night, Francesca Cunningham, a once world famed pianist, escapes from her hospital room and tries to commit suicide by jumping off a local bridge. She is rescued and taken ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
Song-and-dance man Bert Kalmar can't continue his stage career after an injury for a while, so he has to earn his money as a lyricist. Perchance he meets composer Harry Ruby and their first song is a hit. Ruby gets Kalmar to marry is former partner Jessie Brown, and Kalmar and Jessie prevent Ruby from getting married to the wrong girls. But due to the fact that Ruby has caused a backer's withdrawal for a Kalmar play, they end their relation. Written by
Stephan Eichenberg <email@example.com>
This film did very well at the box office, resulting in a profit of $1,252,000 ($12.6M in 2017) for MGM according to studio records. See more »
When Astaire, Wynn, and Skelton are talking about the play never being produced, there are several pictures of M.G.M. stars on the wall. First, from left to right, is Judy Garland, then Spencer Tracy, then Katharine Hepburn, and another I could not identify. The time period in the movie was at that point during the mid 1930s, but those photos were all from the late 1940s. See more »
Although Astaire was a bit past his prime in the dancing area, this is by far the best acting performance he gave (Towering Inferno Oscar nod included). His Bert Kalmar is complex, restless, at times testy, and very much a real person compared to the standard Astaire character. Whether the circumstances depicted in the movie were fact or fiction, he is really a character with a distinct persona, as opposed to Fred Astaire essentially playing himself as in most other his other films.
16 of 17 people found this review helpful.
Was this review helpful to you?