The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
One dark summer night, Francesca Cunningham, a once world famed pianist, escapes from her hospital room and tries to commit suicide by jumping off a local bridge. She is rescued and taken ... See full summary »
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
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Song-and-dance man Bert Kalmar can't continue his stage career after an injury for a while, so he has to earn his money as a lyricist. Perchance he meets composer Harry Ruby and their first song is a hit. Ruby gets Kalmar to marry is former partner Jessie Brown, and Kalmar and Jessie prevent Ruby from getting married to the wrong girls. But due to the fact that Ruby has caused a backer's withdrawal for a Kalmar play, they end their relation. Written by
Stephan Eichenberg <email@example.com>
In an interview Arlene Dahl said that her solo "I Love You So Much" was difficult because she had to remember the song lyric while descending a stair case without tripping. She said that Fred Astaire used to stop by rehearsal almost every day and give her tips on how to do it. See more »
The stills of the Marx Brothers (three rather than four) outside the opening of Animal Crackers (Broadway, 1928) is actually from The Big Store. See more »
I wouldn't write that song with you if you begged me.
Begged ya? I didn't even ask ya.
I guess you just can't help it, Harry. I feel sorry for you.
Feel sorry for me? You must think I'm just a...
I could tell you what I think of you in just three little words. You're a dope!
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After seeing all the overstuffed musical biographies which pay homage to Kern, Rodgers, Hart, Gershwin, and the like, this one is a breath of fresh air as it is much simpler and more basic in its construction. Its two main leads (Fred Astaire and Red Skelton) do not take the material over-the-top; instead they underplay, and in Skelton's case, he is so subdued that he reveals a wonderful, sensitive, acting talent. The musical numbers, of course ("Who's Sorry Now?" "Nevertheless," "Sunny Tennessee," "I Wanna Be Loved By You," "Three Little Words"), speak for themselves. And Astaire and Vera-Ellen are perfection on the dance floor- and no less than *three* times: in the tuxedoed duet "Where Did You Get That Girl?"; a tongue-in-cheek homage to dance domesticity- "Mr. & Mrs. Hoofer;" and the best moment- a tender, romantic adagio in an elaborate stateroom, "Thinking of You." There is also fine support from gorgeous redhead Arlene Dahl and spirited brunette Gloria DeHaven. And, of course, there is Debbie Reynolds (a full year before 'Singing In The Rain') performing as Helen Kane- with singing voice provided by Kane herself!!
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