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Song-and-dance man Bert Kalmar can't continue his stage career after an injury for while, so he has to earn his money as a lyricst. Per chance he meets composer Harry Ruby and their first song is a hit. Ruby gets Kalmar to marry is former partner Jessie Brown, and Kalmar and Jessie prevent Ruby from getting married to the wrong girls. But due to the fact, that Ruby has caused a backer's withdrawal for a Kalmar play, they end their relation. Written by
Stephan Eichenberg <email@example.com>
The real Harry Ruby appears in a bit part as one of the baseball players. He is the one who catches the ball thrown by Red Skelton (as Harry Ruby) and tells "Ruby" to take it easy. See more »
When Harry hurts his hand playing baseball with the Washington Senators, his glove is knocked off of his left hand and he holds the index finger on that hand in obvious pain. Immediately afterward, when he is having difficulty playing the piano because of his injury, he has a bandage on his right index finger. See more »
I wouldn't write that song with you if you begged me.
Begged ya? I didn't even ask ya.
I guess you just can't help it, Harry. I feel sorry for you.
Feel sorry for me? You must think I'm just a...
I could tell you what I think of you in just three little words. You're a dope!
See more »
Three Little Words purports to tell the story of the fabled songwriting team of Bert Kalmar and Harry Ruby and for the film the unlikely team of Fred Astaire as Kalmar and Red Skelton as Ruby were brought in to star. It's a good thing the real Kalmar and Ruby had a lot more chemistry than Astaire and Skelton do.
But as in all these musical biographies of songwriters, it's the songs that are the real star. Kalmar and Ruby wrote some great ones, no doubt about it. Songs like Nevertheless, Thinking of You, Who's Sorry Now are still sung and will be sung for the next millennium.
Both these guys had their eccentricities, Kalmar fancied himself a magician and Ruby was a big baseball fan. Kalmar wanted to be Mr. Blackstone and Ruby would have swapped every song he ever wrote for a chance to play in the Major Leagues with any of the New York based teams.
Astaire is strangely lacking in dance routines in this film. They are confined to some vaudeville type numbers as befitting the fact that Kalmar was a song and dance man until a knee injury made him turn to writing. Red Skelton's antics were confined to some scenes on the baseball diamond where his good friend, the clown prince of baseball Al Schacht played by infielder George Metkovich provided some good humorous moments for Skelton.
Incidentally one big error in the film identified Al Schacht as a pitcher. Schacht was a catcher, his vaudeville partner was Nick Altrock who was a pitcher and a good one, but he's not in the film.
Arlene Dahl and Vera-Ellen play the women in the lives of Ruby and Kalmar. Vera-Ellen dances well with Astaire and her singing is dubbed by Anita Ellis.
Debbie Reynolds is in this in one of her earliest roles as Boop Boop a Doop singer Helen Kane who did introduce Kalmar and Ruby's I Wanna Be Loved By You. And Gloria DeHaven playing her own mother who died that year and she sings Who's Sorry Now.
Kalmar and Ruby also wrote Groucho Marx's theme, Hooray For Captain Spaulding. I'm still wondering why it was only confined to the two of our leads in rehearsal, why Groucho himself didn't appear. In real life he was a very close friend of Harry Ruby's. Kalmar and Ruby wrote the score for Duck Soup as well and later on they wrote Go West Young Man for Groucho in Copacabana.
The song Three Little Words was NOT introduced on Phil Regan's radio show. It was written by Kalmar and Ruby for the Amos and Andy film Check and Double Check where Duke Ellington and his orchestra played it with the Rhythm Boys singing. They also recorded the song with the Rhythm Boys who were Al Rinker, Harry Barris, and their lead singer, a fellow named Bing Crosby.
Kalmar had passed away when this film was released in 1950. Ruby went on after a fashion. Oscar Hammerstein, II helped finish a Kalmar lyric to a Ruby song that became A Kiss To Build A Dream On which was sung by Louis Armstrong the following year and was a big posthumous hit for half the team. And Harry Ruby wrote the famous television theme to The Real McCoys later on in the Fifties.
Other than their respective avocations for prestidigitation and baseball, Kalmar and Ruby were a pair of normal fellows and led pretty dull lives. But that's the problem when you try to do biographies of people like them. So relax and listen to some really great songs by a pair of normal guys.
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