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The Texan Meets Calamity Jane (1950)
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Overview
User Rating:
Release Date:
15 November 1950 (USA) moreTagline:
THE WEST'S MOST FABULOUS GUN-TOTIN' BEAUTY...tangles with six feet of fightin' he-man!Plot:
The best job on this film is the one performed by director/writer/producer Ande Lamb when he persuaded... more | add synopsisUser Comments:
It's so bad that it's almost good! moreCast
(Cast overview, first billed only) | Evelyn Ankers | ... | Calamity Jane |
| James Ellison | ... | Gordon Hastings |
| Lee 'Lasses' White | ... | Colorado Charley |
| Grace Lee Whitney | ... | Cecelia Mullen (as Ruth Whitney) |
| Jack Ingram | ... | Matt Baker |
| Sally Weldman | ... | Emmy Stokes (as Sally Weidman) |
| Rudy De Saxe | ... | Herbert (as Rudy deSaxe) |
| Paul Barney | ... | Dave Carter |
| Walter Strand | ... | Sheriff |
| Hugh Hooker | ... | Raoul |
| Ronald Marriott | ... | Nick Dade |
| Farrell Lester | ... | Rollo (as Ferrell Lester) |
| Elmer Herzberg | ... | Henry the Whistler |
| William E. Green | ... | Carlin (as William Green) |
| Frank Pharr | ... | Sheriff Atwood |
Additional Details
Also Known As:
Calamity Jane and the Texan (USA) (TV title)The Judge Has an Alibi (USA) (working title)
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Parents Guide:
Add content advisory for parentsRuntime:
71 minCountry:
USALanguage:
EnglishAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (RCA Sound System)Filming Locations:
Iverson Ranch, Chatsworth, Los Angeles, California, USAFun Stuff
Quotes:
[Calamity, Gordon and Colorado have just won a shoot-out with ruffians who stole a stagecoach]Calamity Jane: How's your passengers?
Colorado Charley: Them? Uh, why I can't figure out which one's ready for the coroner and which one's ready for jail.
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Related Links
| Full cast and crew | Company credits | IMDb Western section |
| IMDb USA section | Add this title to MyMovies |
Yep, it is so bad that it is almost good. The acting, other than Ankers and Ellison and Ingram , is pathetic. Lee "Lasses" White almost drove me to drink. This movie has virtually no credibility and no saving graces, except that the Trucolor photography is excellent...as excellent, that is, as two-color photography will allow. Struss does an excellent job in the color photography department which is the real reason I stayed with the film. The Trucolor photography has an unreal look to it...almost like a pastel painting. I only wish Gene Autry had made at least one Trucolor film in addition to his two Cinecolor films. All in all, watch it late at night with a bottle of Jack Daniels and relax....after all, it's only a movie!