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The Room plays this weekend (September 26th and 27th) at the Tivoli as part of their Reel Late at the Tivoli Midnight series.
There are different types of ‘Bad Movies’. It’s become sport to poke fun at bloated star vehicles such as Ishtar, Glitter, or Gigli but those films are usually miserable experiences to actually sit through. There are films that are intentionally bad such as those from Troma studios (Toxic Avenger, Poultrygeist) but Troma knows its audience and anyone seeing a Troma film knows what they are getting into. Tommy Wiseau’s The Room belongs with the group of movies that are so bad that they can transform their own awfulness into a “comedy of errors”. Unlike more mundane bad films, these films develop an ardent following of fans who love them because of their poor quality, because normally, the errors (technical or artistic) or wildly contrived plots »
- Tom Stockman
The veteran publicist whose clients included Anthony Hopkins, Dick Van Dyke and Faye Dunaway, died September 15 at his Pacific Palisades home after a brief illness. Bob Palmer was 85. Through his Bob Palmer Public Relations, he also repped actors including Peter Strauss, David Soul, Sada Thompson and Michele Lee.
The Alaska-born, L.A.-raised Palmer became Director of Publicity and Advertising for United Paramount at age 22 and helped create campaigns for the Bay Area premieres of films such as Sunset Boulevard, Shane and The Greatest Show On Earth and promoted stage shows starring Lucille Ball and Desi Arnaz, Les Paul and Mary Ford, Patti Page, and many others. After serving in the Korean War, Palmer moved to ABC Television as a Senior Publicist, working on such TV shows as Maverick and 77 Sunset Strip. He left ABC in 1960 to produce a syndicated series and then joined Gene Autry’s Golden West Broadcasters »
- The Deadline Team
Bob Palmer — who, through a 60-year career as a publicist, represented clients including Anthony Hopkins and Dick Van Dyke as well as some of the most popular TV shows of the 1960s and 70s — died Monday at his home in Pacific Palisades of natural causes. He was 85.
After working for ABC and several major studios, Palmer started his own firm in 1979, representing Hopkins, Van Dyke, Faye Dunaway, Sada Thompson, David Soul, Peter Strauss, Michele Lee and Larry Schiller Prods., the latter of which produced the TV movie “The Executioner’s Song.” Palmer for a time represented Hopkins as a manager, and created the 1992 Academy Award campaign for Hopkins’ performance in “The Silence of the Lambs,” for which he won the Oscar for best actor.
In an interview, Hopkins said he first met Palmer while doing a publicity junket in 1973 at the Century Plaza Hotel, and afterward they became “very good friends. »
- Ted Johnson
From the inside of a moving vehicle, L.A. can seem like a blur of strip malls and empty sidewalks. Don't despair. There is street life in this town -- you just have to know where to find it. Mixed in among all the donut and pawnshops are a few useful organizations to get to know. Here's where to find them. Samuel French Sam French is Ellis Island for aspiring actors and writers arriving in L.A. The bookstore sells pretty much every book ever on acting, writing for stage and screen, and filmmaking -- and novelty mugs and totes. 7623 W. Sunset Blvd., L.A. Central Casting You have to show up in person to register, so download the forms from the website and fill them out before you go. Remember: Extra work is work. 220 S. Flower St., Burbank. ArcLight Hollywood Question: "Did you see 'Film X'?" Correct answer: "Yes -- at the ArcLight. »
Even when his choice of material has been suspect, Alejandro G. (formerly Gonzalez) Inarritu has never given us reason to doubt him as one of the most purely gifted filmmakers of his generation. For him, no less than for Michael Keaton, this ferociously inventive plunge into the corroded soul of American celebrity represents a career-reigniting comeback; for that wizardly cinematographer Emmanuel Lubezki, it’s the latest in a steady stream of digital long-take miracles, like “Black Swan” as directed by Max Ophuls. (Venice, Telluride, New York)
“From What Is Before”
The extreme length is inseparable from the power and conviction of Lav Diaz’s historical epic about the devastation of a small Filipino barrio amid the political and military unrest of the early 1970s. As a slow-burning study of social decay, this winner of Locarno’s Golden Leopard prize is both a thematic companion piece to Michael Haneke »
- Variety Staff
Courteney Cox looked ready for business in a pair of black glasses as she left celeb haunt Craig's Restaurant in West Hollywood, California. The 'Friends' actress donned a grey silk dress and wore her hair in loose curls. Meanwhile it was revealed earlier that Courteney Cox's ex husband David Arquette is expanding his nightclub business into strip clubs. David bought an La strip club for $1.5 million last week. The 'Scream' star has closed a deal to purchase the famous Crazy Girls bar on Sunset Boulevard in Hollywood, Los Angeles. According to TMZ, Arquette has been in negotiations with the previous owners for the last three weeks and although they wanted $1.7 million for the club he refused to up his price and eventually got it for $200,000 less. Arquette owns the club and everything in it, including the poles, bars and furniture, however he intends to completely refurbish the venue. »
Honorary Award: Gloria Swanson, Rita Hayworth among dozens of women bypassed by the Academy (photo: Honorary Award non-winner Gloria Swanson in ‘Sunset Blvd.’) (See previous post: "Honorary Oscars: Doris Day, Danielle Darrieux Snubbed.") Part three of this four-part article about the Academy of Motion Picture Arts and Sciences’ Honorary Award bypassing women basically consists of a long, long — and for the most part quite prestigious — list of deceased women who, some way or other, left their mark on the film world. Some of the names found below are still well known; others were huge in their day, but are now all but forgotten. Yet, just because most people (and the media) suffer from long-term — and even medium-term — memory loss, that doesn’t mean these women were any less deserving of an Honorary Oscar. So, among the distinguished female film professionals in Hollywood and elsewhere who have passed away without receiving »
- Andre Soares
Editor’S Note: This is a capsule review. The full review will be released once the film hits theatres.
Clouds of Sils Maria tries to be a serious film about an aging actor reflecting on her life and career. However, its commentary about Hollywood is not very sophisticated and the parallels between fiction and reality so obvious that little of that is clever. In all honesty, Assayas’ latest is a pretty dumb soul of a movie underneath its art-house clothing.
The film opens on a train, as movie star Maria Enders (Juliette Binoche) and her personal assistant Valentine (Kristen Stewart) receive news that writer/director Wilhelm Melchior has died. Many years earlier, Wilhelm directed Maria in a steamy romantic stage play called Maloja Snake, which jumpstarted her acting career. (The Maloja Snake is a long trail of clouds that snake through the peaks of the Sils Maria mountainside. Assayas returns »
- Jordan Adler
But 1978's Fedora, made by Wilder nearly 30 years later — again starring William Holden — does show evidence of the bitterness Meyer alluded to; it could have been made by Norma Desmond. Holden stars as an aging producer fallen on hard times who hopes to revisit his past by luring a reclusive former star, the supposedly fabulous Fedora (Marthe Keller) out of retirement.
Throughout the summer, an admin on the r/movies subreddit has been leading Reddit users in a poll of the best movies from every year for the last 100 years called 100 Years of Yearly Cinema. The poll concluded three days ago, and the list of every movie from 1914 to 2013 has been published today.
Users were asked to nominate films from a given year and up-vote their favorite nominees. The full list includes the outright winner along with the first two runners-up from each year. The list is mostly a predictable assortment of IMDb favorites and certified classics, but a few surprise gems have also risen to the top of the crust, including the early experimental documentary Man With a Movie Camera in 1929, Abel Gance’s J’Accuse! in 1919, the Fred Astaire film Top Hat over Alfred Hitchcock’s The 39 Steps in 1935, and Stanley Kubrick’s The Killing over John Ford’s »
- Brian Welk
This story first appeared in the Sept. 12 issue of The Hollywood Reporter magazine. As exhibitors try to fend off competition from ever-bigger home theater systems, movie houses may soon take their cues from the '50s. Back then, to counter the arrival of TV, Hollywood retaliated by offering bigger — and wider — images onscreen, culminating in Cinerama. That panoramic theater configuration, which faded out by the end of the '60s, left behind the landmark Cinerama Dome on Sunset Boulevard. But a new generation of even more ambitious theaters — possibly even including cinema's first holodeck — is waiting in
- Carolyn Giardina
David Beckham didn't walk away clean from that motorcycle accident after all -- we just saw him at Lax with his hand in a cast.Becks held up his damaged right mitt as he walked into the terminal with his kids, and photogs asked how he was feeling after laying down his bike on Sunset Boulevard yesterday.We broke the story ... Beckham was leaving a tattoo parlor when he swerved to avoid paparazzi, according to »
- TMZ Staff
David Beckham is not perfect (Shocker!!!) ... he lost control of his motorcycle in the middle of Sunset Boulevard, but walked away unscathed. Beckham was leaving the famous Shamrock Tattoo in West Hollywood Thursday when he lost control of his motorcycle -- a custom-built Super Vintage 93" Knuckle -- and tumbled off in the middle of the street. We're told Beckham recruited a few friends from the tattoo parlor to help him roll it back to the store. »
- TMZ Staff
Erich von Stroheim was one-of-a-kind: a serious filmmaker who also became a distinctive, and indelible, screen personality. He’s probably best known today for his role as Gloria Swanson’s faithful servant in Billy Wilder’s 'Sunset Blvd.' While learning about directing as an assistant to D.W. Griffith in the teens, he established himself as a stereotyped “evil Hun” in World War One movies. Universal’s Carl Laemmle gave him a chance to realize his own vision on screen in 'Blind Husbands' (1919) and launched his star-crossed career as a writer-director. Laemmle may have complained about the enormous cost of the lavish 'Foolish Wives' (1922), with its eye-popping Monte Carlo set, but he used...
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- Leonard Maltin
Recently taking stock of his career, Alejandro Gonzalez Inarritu began to wonder if he might have gotten stuck in a creative rut of his own making.
“It was like I was on a ladder, and I was getting a little too comfortable,” says the 51-year-old filmmaker as he holds out two clenched fists, miming the grip on that ladder. “I was just doing my work. It was a habit. I was stuck, half out of fear and half out of safety. And I said to myself, ‘I’m going to let go of the ladder.’ ”
For Inarritu, letting go meant taking a stab at his first full-fledged comedy, albeit one with a strong undercurrent of existential despair. In the director’s self-reflexive “Birdman,” Michael Keaton stars as an actor once famous for playing a superhero, now trying to save his »
- Scott Foundas
Venice has done it again. Last year, Gravity blasted the lid off the festival as the opener and today Birdman, a film that’s got a fair bit in common with that one, bowed to one of the best receptions I have ever experienced on the Lido. (It’s even trending at No. 4 on Italian Twitter.) Applause, laughter and strong emotion emanated from attendees in the refurbed Sala Darsena this morning during the first press screening. Making my way out afterwards, I heard “bellissimo” uttered at least a dozen times.
Ahead of the festival, chief Alberto Barbera told me the Alejandro Gonzalez Inarritu-directed dark comedy was “inventive.” He wasn’t kidding. A scorching satire on celebrity mixed with existential musings on life, it’s being hailed as a technical tour de force and a potentially career-defining role for lead Michael Keaton as a former Hollywood star known primarily for his »
- Nancy Tartaglione
Alejandro G. Iñárritu's Birdman opens the 71st Venice International Film Festival today, and the first reviews are in. Variety's Peter Debruge calls it a "delirious coup de grace—a triumph on every creative level, from casting to execution." As the once-huge movie star Riggan Thomson, Michael Keaton is "dream casting, and he’s fearless," writes Time Out's Cath Clarke. The Telegraph's Robbie Collin: "Riggan, his publicist Brandon (Zach Galifianakis), daughter (Emma Stone) and fellow cast members (Naomi Watts, Edward Norton, Andrea Riseborough) come clattering in and out of shot like characters in a farce, underscored by a stumbling, skittering drumbeat. There are streaks of 42nd Street, The Producers and Sunset Boulevard here, but otherwise, Birdman isn’t much like anything else at all. Think Black Swan directed by Mel Brooks and you’re in the vicinity, but only just." » - David Hudson »
A quarter-century after “Batman” ushered in the era of Hollywood mega-tentpoles — hollow comicbook pictures manufactured to enthrall teens and hustle merch — a penitent Michael Keaton returns with the comeback of the century, “Birdman or (The Unexpected Virtue of Ignorance),” a blisteringly hot-blooded, defiantly anti-formulaic look at a has-been movie star’s attempts to resuscitate his career by mounting a vanity project on Broadway. , that will electrify the industry, captivate arthouse and megaplex crowds alike, send awards pundits into orbit and give fresh wings to Keaton’s career.
See Also: Michael Keaton Bursts Into Oscar Race
Keaton was a controversial choice to play the Caped Crusader back in 1989, though the role was the best and worst thing that could have happened to the “Mr. Mom” star, who became world-renowned but never found another role of that stature — and who didn’t get nearly the same boost from working with Tarantino (on »
- Peter Debruge
The Austin Film Society teams up with aGLIFF tonight to bring the new documentary To Be Takei (my review for Paste) to the Marchesa for a one-off screening. It's a touching and genuinely funny profile of George Takei, whose career has taken him from Star Trek to social media icon and gay rights activist. This month's Roger Corman series continues this weekend with X: The Man With The X-Ray Eyes. This 1963 thriller screens tonight and again on Sunday in a 35mm print. On Wednesday night, Afs presents SXSW doc Big Joy: The Adventures of James Broughton (Don's review) and then the Barbara Stanwyck Essential Cinema series will close Thursday with Ball Of Fire. Screening in 35mm, this classic 1941 Howard Hawks comedy, written by Billy Wilder and Charles Brackett, pairs Stanwyck with Gary Cooper.
Over at the Alamo Drafthouse Ritz, The Complete David Lynch series is winding down but has several more gems on the way. »
- Matt Shiverdecker
One and done. Vanity Fair's Oscar night party will not be returning to Sunset Plaza in West Hollywood next year, the magazine confirmed to TheWrap. After five years at the Sunset Tower Hotel on Sunset Boulevard, the magazine moved the A-list gathering half a mile west this past Oscar night. They built a custom space on the south side of Sunset Plaza in the parking lot behind sidewalk cafes Chin Chin, Le Clafoutis, and Le Petit Four at 8680 Sunset Blvd. Also read: Emmy Parties Preview 2014: How to Spend This Week on a Champagne Diet An aerial view of the »
- Mikey Glazer
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