| Photos (See all 55 | slideshow) | Videos (see all 6) |
| William Holden | ... | Joe Gillis | |
| Gloria Swanson | ... | Norma Desmond | |
| Erich von Stroheim | ... | Max Von Mayerling | |
| Nancy Olson | ... | Betty Schaefer | |
| Fred Clark | ... | Sheldrake | |
| Lloyd Gough | ... | Morino | |
| Jack Webb | ... | Artie Green | |
| Franklyn Farnum | ... | Undertaker | |
| Larry J. Blake | ... | 1st Finance Man (as Larry Blake) | |
| Charles Dayton | ... | 2nd Finance Man | |
| Cecil B. DeMille | ... | Cecil B. DeMille (in opening credits) (as Cecil B. De Mille) | |
| Hedda Hopper | ... | Hedda Hopper | |
| Buster Keaton | ... | Buster Keaton | |
| Anna Q. Nilsson | ... | Anna Q. Nilsson | |
| H.B. Warner | ... | H. B. Warner | |
| Ray Evans | ... | Ray Evans | |
| Jay Livingston | ... | Jay Livingston | |
| rest of cast listed alphabetically: | |||
| Fred Aldrich | ... | Cop Who Drags Joe's Body from Pool (uncredited) | |
| Joel Allen | ... | Prop Man #2 (uncredited) | |
| Gertrude Astor | ... | Courtier (uncredited) | |
| Ken Christy | ... | Homicide Captain (uncredited) | |
| Ruth Clifford | ... | Sheldrake's Secretary (uncredited) | |
| John Cortay | ... | Mac - Young Gate Guard at Paramount Studios (uncredited) | |
| Archie R. Dalzell | ... | Camera Operator (uncredited) | |
| Eddie Dew | ... | Assistant Coroner (uncredited) | |
| Peter Drynan | ... | Tailor (uncredited) | |
| Julia Faye | ... | Hisham (uncredited) | |
| Al Ferguson | ... | Phone Standby (uncredited) | |
| Gerry Ganzer | ... | Connie - Betty's Roommate (uncredited) | |
| Kenneth Gibson | ... | Salesman at Men's Shop (uncredited) | |
| Joe Gray | ... | Undetermined Role (uncredited) | |
| Sanford E. Greenwald | ... | Newsreel Cameraman (uncredited) | |
| Creighton Hale | ... | Creighton Hale (uncredited) | |
| Chuck Hamilton | ... | Grip on DeMille Set (uncredited) | |
| James Hawley | ... | Camera Assistant (uncredited) | |
| Len Hendry | ... | Police Sergeant (uncredited) | |
| E. Mason Hopper | ... | Doctor (uncredited) | |
| Stan Johnson | ... | First Assistant Director (uncredited) | |
| Tiny Jones | ... | Little Woman outside Paramount Gate (uncredited) | |
| Howard Joslin | ... | Police Lieutenant (uncredited) | |
| Arthur Lane | ... | Camera Operator (uncredited) | |
| Perc Launders | ... | Violinist at Norma's New Year's Eve Party (uncredited) | |
| Gertrude Messinger | ... | Hairdresser (uncredited) | |
| Harold Miller | ... | Man on Golf Course (uncredited) | |
| John 'Skins' Miller | ... | Hog-eye - Electrician (uncredited) | |
| Lee Miller | ... | Dancing Party Guest / Paramount Studio Employee (uncredited) | |
| Ralph Montgomery | ... | Prop Man #1 (uncredited) | |
| Bert Moorhouse | ... | Gordon Cole (uncredited) | |
| Jay Morley | ... | Fat Man (uncredited) | |
| Bernice Mosk | ... | Bernice (uncredited) | |
| Howard Negley | ... | Police Captain (uncredited) | |
| Ottola Nesmith | ... | Undetermined Role (uncredited) | |
| Eva Novak | ... | Courtier (uncredited) | |
| Frank O'Connor | ... | Courtier (uncredited) | |
| Robert Emmett O'Connor | ... | Jonesy - Older Paramount Gate Guard (uncredited) | |
| Jack Perrin | ... | Detective (uncredited) | |
| Virginia L. Randolph | ... | Courtier (uncredited) | |
| Bill Sheehan | ... | Second Assistant Director (uncredited) | |
| Sidney Skolsky | ... | Sidney Skolsky (uncredited) | |
| Emmett Smith | ... | Black Man (uncredited) | |
| Roy Thompson | ... | Rudy - Shoeshine Boy (uncredited) | |
| Archie Twitchell | ... | Salesman at Men's Shop (uncredited) | |
| Yvette Vickers | ... | Giggling Girl on Phone at Party (uncredited) | |
| Edward Wahrman | ... | Camera Assistant (uncredited) | |
| Henry Wilcoxon | ... | Actor on DeMille's 'Samson & Delilah' Set (uncredited) | |
Directed by | |||
| Billy Wilder | |||
Writing credits | ||
| Charles Brackett | (written by) & | |
| Billy Wilder | (written by) & | |
| D.M. Marshman Jr. | (written by) | |
Produced by | |||
| Charles Brackett | .... | producer | |
Original Music by | |||
| Franz Waxman | |||
Cinematography by | |||
| John F. Seitz | (director of photography) | ||
Film Editing by | |||
| Arthur P. Schmidt | (as Arthur Schmidt) | ||
Art Direction by | |||
| Hans Dreier | |||
| John Meehan | |||
Set Decoration by | |||
| Sam Comer | |||
| Ray Moyer | |||
Costume Design by | |||
| Edith Head | (costumes) | ||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
| Nellie Manley | .... | hair stylist (uncredited) | |
| Karl Silvera | .... | makeup artist (uncredited) | |
| Frank Thayer | .... | makeup artist (uncredited) | |
| Vera Tomei | .... | hair stylist (uncredited) | |
Production Management | |||
| Hugh Brown | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Charles C. Coleman | .... | assistant director (as C.C. Coleman Jr.) | |
| Gerd Oswald | .... | second assistant director (uncredited) | |
Art Department | |||
| Steve Beers | .... | head carpenter (uncredited) | |
| Jack Colconda | .... | props assistant (uncredited) | |
| Gene Lauritzen | .... | construction coordinator (uncredited) | |
| Tom Plews | .... | props (uncredited) | |
Sound Department | |||
| John Cope | .... | sound recordist | |
| Harry Lindgren | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Gordon Jennings | .... | special photographic effects | |
Camera and Electrical Department | |||
| Otto Pierce | .... | camera operator (uncredited) | |
| Glen E. Richardson | .... | still photographer (uncredited) | |
| Harlow Stengel | .... | camera assistant (uncredited) | |
| Walter Tayler | .... | gaffer (uncredited) | |
| Fred True | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Ed Fitzharris | .... | wardrobe (uncredited) | |
| Hazel Hegarty | .... | wardrobe (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Doane Harrison | .... | editorial supervisor | |
| Frank Bracht | .... | assistant editor (uncredited) | |
Music Department | |||
| Sidney Cutner | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
Other crew | |||
| Lupe Hall | .... | script clerk (uncredited) | |
| Ronnie Lubin | .... | dialogue coach (uncredited) | |
| Norris Stensland | .... | technical advisor (uncredited) | |
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| The Bad and the Beautiful | 8½ | Singin' in the Rain | Sullivan's Travels | The Day of the Locust |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
In Hollywood of the 50's, the obscure screenplay writer Joe Gillis (William Holden) is not able to sell his work to the studios, is full of debts and is thinking in returning to his hometown to work in an office. While trying to escape from his creditors, he has a flat tire and parks his car in a decadent mansion in Sunset Boulevard. He meets the owner and former silent-movie star Norma Desmond (Gloria Swanson), who lives alone wit her butler and driver Max von Mayerling (Erich von Stroheim). Norma is demented and believes she will return to the cinema industry, and is protected and isolated from the world by Max, who was his director and husband in the past and still loves her. Norma proposes Joe to move to the mansion and help her in writing a screenplay for her comeback to the cinema, and the small-time writer becomes her lover and gigolo. When Joe falls in love for the young aspirant writer Betty Schaefer (Nancy Olson), Norma becomes jealous and completely insane and her madness leads to a tragic end.
"Sunset Boulevard" is a bitter and tragic masterpiece of the genius Billy Wilder that exposes how Hollywood uses people and forgets them when they get old and are considered decadent by the industry. Further, it also shows the consequences of the lack of adaptation of a former star to the end of a successful career, being forgotten by fans and the industry, and the price that some persons accept to pay to join this business. The last time I saw this film was on 22 September 2002 and even having watched "Sunset Boulevard" for maybe five or six times, I still get excited with most of the scenes and I dare to say that it is in my Top 10 movies ever. The DVD has an interesting documentary called "Sunset Blvd.: A Look Back" (a.k.a. "The Making of Sunset Boulevard" with the presence of a still impressively beautiful Nancy Olson telling peculiarities about this awesome feature. My vote is ten.
Title (Brazil): "Crepúsculo dos Deuses" ("Dusk of the Gods")