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Sunset Blvd. (1950)

8.6
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Ratings: 8.6/10 from 102,902 users  
Reviews: 395 user | 173 critic

A hack screenwriter writes a screenplay for a former silent-film star who has faded into Hollywood obscurity.

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Title: Sunset Blvd. (1950)

Sunset Blvd. (1950) on IMDb 8.6/10

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Top 250 #41 | Won 3 Oscars. Another 17 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Lloyd Gough ...
...
Franklyn Farnum ...
Undertaker
Larry J. Blake ...
1st Finance Man (as Larry Blake)
Charles Dayton ...
2nd Finance Man
...
Cecil B. DeMille (as Cecil B. De Mille)
...
Hedda Hopper
...
Buster Keaton
Anna Q. Nilsson ...
Anna Q. Nilsson
...
H. B. Warner
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Storyline

The story, set in '50s Hollywood, focuses on Norma Desmond, a silent-screen goddess whose pathetic belief in her own indestructibility has turned her into a demented recluse. The crumbling Sunset Boulevard mansion where she lives with only her butler, Max who was once her director and husband has become her self-contained world. Norma dreams of a comeback to pictures and she begins a relationship with Joe Gillis, a small-time writer who becomes her lover, that will soon end with murder and total madness. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

A HOLLYWOOD STORY: Sensational...Daring...Unforgettable...Sunset Blvd. See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1950 (Australia)  »

Also Known As:

A Can of Beans  »

Box Office

Budget:

$1,752,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When Joe and Betty stroll around the studio back lot they pass through the Washington Square set that was used in The Heiress (1949). See more »

Goofs

As the policemen run towards the pool, you can see the dead man's head lift up out of the water. See more »

Quotes

[first lines]
Joe Gillis: Yes, this is Sunset Blvd., Los Angeles, California. It's about 5 0'clock in the morning. That's the homicide squad, complete with detectives and newspaper men.
See more »

Crazy Credits

The Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street. See more »

Connections

Referenced in Mystery Science Theater 3000: Hercules Unchained (1992) See more »

Soundtracks

Toccata and Fugue in D-Minor, BWV 565
(ca 1705) (uncredited)
Music by Johann Sebastian Bach
Played on an organ by Erich von Stroheim
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
They Don't Make 'Em Like This Anymore
2 July 2004 | by (NYC) – See all my reviews

This is such a great film on so many levels I can't really settle on where to begin. It is so beautifully shot (in that stark black/white that only nitrate negative could achieve), has a witty, clever and extremely well-written script, features some of the best acting in film's history, acrobatically balances the main plot/subplots with expert precision, contains some of the best characters on celluloid, has many true-to-life parallels (Swanson's career/real life cameos/DeMille's involvement/etc) and is peppered with such great dialogue/narration that today's film writers should take note. If that weren't enough, there's even a cameo by silent film great Buster Keaton (among others).

One of the most appealing aspects of this film is how, in the story, an aging, forgotten star is trying to recapture a bygone era (the silent film era). What's interesting is that now, so many years later, we're looking back at her looking back. To present day viewers, Gloria Swanson of the 1950's is a long forgotten lost gem and to experience her own longing for the 1920's is especially captivating (and a little chilling, I might add). I don't think this film could have had that same effect when it debuted and maybe this added dimension holds so much more appeal for today's audiences. We all know that nothing lasts forever, but we don't often consider the abandoned participants; much like the veterans of a past war.

In response to the famous Swanson line (while watching one of her silent films): "...we didn't need dialogue; we had faces", I'd like to also add that they "didn't need movies; they had films."

They truly don't make them like this anymore. 10/10


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