An English woman and her daughter enlist the aid of a cowboy to try and get their hardy hornless bull to mate with the longhorns of Texas, but have to overcome both greedy criminals and the natural elements.
A man escorts a wagon load of Kentucky rifles through Indian territory and must find a way to get through without losing the rifles to the Indians. Unfortunately the Indians know about it, ... See full summary »
A story of a range-war in the Texas Panhandle in which the 'bad' brother villain fights for what is right...and commits murder in its name, and the 'good' brother hero sanctions wholesale cattle rusting and, reluctantly in the end, comes to the realization that maybe he isn't doing the right thing. Written by
Les Adams <email@example.com>
This was an exceptional western in it's day. Filmed on location, in Technicolor no less, with top B-list stars Robert Sterling, the bland good-guy type and Robert Preston, the evil bad-man brother with good support by Cathy Downs, John Barrymore Jr., Chill Wills, John Litel among others including Jack Elam. After viewing this again after a long while, it's obvious that the more "adult" aspects of the story were eliminated or toned down so drastically that the drama was just too tame by todays' standards, but they had the "Code" in those days. It also appears as if the studio (Eagle-Lion)may have also edited some scenes down to fit a particular running time (approx. 83 minutes). It makes no sense to spend the money they did on this film and then cut it to it's running time. If this film had a couple of the Alan Bates, Susannha York, John Hurt scenes from "The Shout" written into this "re-make" it would be more explosive and make more sense. I would also explore and expand the strong-willed father, weak son sheriff sub-plot a little more. Yes it's watchable still as is, but when we bring back the Western some day, let's re-make this one early on.
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