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Summer Stock (1950)
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Overview
User Rating:
Release Date:
22 January 1951 (Sweden) morePlot:
A small-town farmer, down on her luck, finds her homestead invaded by a theatrical troupe invited to stay by her ne'er-do-well sister. full summary | add synopsisAwards:
1 nomination moreNewsDesk:
(6 articles)
Katie Holmes confirmed for 'Dance' (From digitalspy. 3 July 2009, 2:44 AM, PDT)
Holmes to appear on 'Dance' finale?
(From digitalspy. 20 June 2009, 1:52 PM, PDT)
User Comments:
In this simple musical tale are compelling evidence of Garland and Kelly's grace and style. moreCast
(Complete credited cast)| Judy Garland | ... | Jane Falbury | |
| Gene Kelly | ... | Joe D. Ross | |
| Eddie Bracken | ... | Orville Wingait | |
| Gloria DeHaven | ... | Abigail Falbury (as Gloria De Haven) | |
| Marjorie Main | ... | Esme | |
| Phil Silvers | ... | Herb Blake | |
| Ray Collins | ... | Jasper G. Wingait | |
| Nita Bieber | ... | Sarah Higgins | |
| Carleton Carpenter | ... | Artie | |
| Hans Conried | ... | Harrison I. Keath |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
108 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Sound System)Filming Locations:
Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USAFun Stuff
Trivia:
The final of three movie musicals in which Judy Garland and Gene Kelly starred in together, though they did appear separately in other movies and features. moreGoofs:
Continuity: When Esme is washing the dishes the first morning with 'the crew' helping with the chores, in the long shot she reaches up to the shelf to add more soap flakes to the dishwater, and is shaking the box over the water. In the next shot her hands are both submerged in the soapy water, no box to be seen. moreQuotes:
Jane Falbury: You really love this, don't you?Joe D. Ross: What? Show business? There's nothing else in the world.
more
Soundtrack:
Friendly Star moreFAQ
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In the canon of MGM musicals of the Golden Age, "Summer Stock" is an overlooked and underrated pleasure. As relaxed as a summer day spent on a farm like the one in the film, this soft shoe of a musical doesn't aim for greatness, though it very nearly reaches it on one or two occasions. Filmed in sunny, bandbox Technicolor, the films opens on Judy Garland singing in her morning shower. She is Jane Falbury, the mistress of a New England farm going to seed. Sassy Marjorie Main is the maid and cook, pretty Gloria DeHaven is her irresponsible sister who has run off to New York to become an actress, and Eddie Bracken is Garland's hopelessly inept fiancee, manager of the local general store. Garland's wry way with a comic line is richly evident in this film, as she trys to deal with one exasperating annoyance after another. She is in superb singing voice, and most charming when she holds one long, belting note to the very end and then, looking into the camera, nearly collapses with mock-exhaustion. Into this bucolic chaos lands handsome Gene Kelly and his troupe of Broadway gypsies, promised by DeHaven that they can use her sister's barn for a summer stock production of Kelly's new musical. With sarcastic assist by Phil Silvers, Kelly sets about convincing a skeptical Garland that one hand can wash the other: if she consents to the barn being used as a theatre, the troupe will help save her foundering farm by performing the daily chores and harvest planting. Of course, all manner of of mishap and misunderstanding ensue; happily, none of them stand in the way of Garland and Kelly performing a handful of enjoyable numbers. After Astaire and Rogers, Garland and Kelly were surely filmdom's most sublime song and dance duo, and they perform one dance here, a jazzed-up "Portland Fancy", which nearly stops the show. Apart from their duets, they shine in solo numbers which are manna to fans of great talent. Both stars ascended greater cinematic heights after this film, Kelly in "Singin In The Rain" and Garland at Warner Bros. for "A Star Is Born", but here in this simple tale are found some of the most compelling examples of their style and grace: Garland singing the yearning "Friendly Star" in the summer moonlight, Kelly whistling "You Wonderful You" on a lonely stage with a discarded newspaper as his partner. But finally, the highlight of the film is to be had by Garland in the big finale at the end. Having been cajoled into joining the troupe for their pre-Broadway opening in her barn, Garland and a phalanx of chorus boys jump off the screen with the Harold Arlen standard "Get Happy". Heralded by the blare of the MGM Studio Orchestra brass section, Garland steps out from behind the black-suited line of men wearing only a tuxedo jacket, black pumps, and a man's hat set rakishly atop her head. Looking chic and sexy, dancing with the boys, she makes the Arlen chestnut her own, and uses her considerable show biz muscle to pull down one of the most memorable performances in musical history. Garland's electrifying number dominates the film's reputation, and deservedly so. It is for one to still marvel how this diminutive, talented actress could, for five or so minutes, turn a breezy, unambitious musical into a great one.