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Shûbun (1950)

 |  Drama  |  17 July 1964 (USA)
7.4
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Ratings: 7.4/10 from 1,941 users  
Reviews: 20 user | 35 critic

A celebrity photograph sparks a court case as a tabloid magazine spins a scandalous yarn over a painter and a famous singer.

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Title: Shûbun (1950)

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Cast

Cast overview, first billed only:
...
Shirley Yamaguchi ...
Miyako Saijo (as Yoshiko Yamaguchi)
Yôko Katsuragi ...
Masako Hiruta
Noriko Sengoku ...
Sumie
Eitarô Ozawa ...
Hori
...
Attorney Hiruta
Shin'ichi Himori ...
Editor Asai
Ichirô Shimizu ...
Arai
Fumiko Okamura ...
Miyako's mother
Masao Shimizu ...
Judge
Tanie Kitabayashi ...
Yasu Hiruta
Sugisaku Aoyama ...
Dr. Kataoka
Kokuten Kôdô ...
Old Man A (as Kuninori Kôdô)
Kichijirô Ueda ...
Old Man B
Bokuzen Hidari ...
Drunk
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Storyline

Ichiro Aoye, a young painter, encounters a famous singer, Miyako Saijo, while on holiday in the mountains. He gives her a ride and coincidentally stays at the same inn. A tabloid magazine specializing in scandals blows this encounter up into a huge falsehood designed to humiliate Miyako, who has been uncooperative with the press. Ichiro sues, but his lawyer, needing money for his sick daughter's treatment, accepts a bribe to throw the case. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

17 July 1964 (USA)  »

Also Known As:

Escándalo  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The character Hiruta was, as Kurosawa later recollected, based on a man he met in a bar in the early 1940's who had very similar characteristics and personal issues. See more »

Soundtracks

Buttons and Bows
(uncredited)
Written by Jay Livingston and Ray Evans
Sung by the patrons in the bar
See more »

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User Reviews

 
Outstanding
31 January 2001 | by (Sydney, Australia) – See all my reviews

This is my favourite Kurosawa film. The director was reported to have been furious at the state of media freedom under the post-WWII US Occupation, and he vents his spleen on it here. The film is a passionate condemnation of gutter press and appears to be partly based on the director's own experiences.

I have to stop myself from the overuse of superlatives when describing this film. The acting is simply some of the best I've seen in any movie. Mifune does his usual good job as the brooding and very serious motorbike-riding painter but, for once, even the great Mifune is outclassed by several other actors.

Yoshiko Yamaguchi shines as the doe-eyed singer, whom a scandal magazine tries to frame as the painter's lover.

Despite not appearing until a third of the way through the film, Takashi Shimura steals every scene from Mifune. He is in top form as the weird and corrupted lawyer, and is a delight to watch.

But even Shimura is outclassed by the young Yoko Katsuragi, playing his daughter, who despite dying of TB is cheerful and a joy to all around her.

Nor does the support cast let them down. A number of great character actors, led by the man who plays the sleazy editor, complete the picture nicely.

I unreservedly recommend this film as a must-see for any film lover.


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