The Showdown (1950) User Reviews

Grim, excellent Republic oater

[westerner357 · 7/10 · 20 August 2003]

Once in awhile Republic Studios would release a little gem among all the mediocre B oaters that they put out, and this happens to be one of 'em.

William Elliott plays a Texas Ranger named Shadrack Jones who is trying to find out about the circumstances surrounding the brother's death. When he learns that his brother was shot in the back, he's so blinded by hate and revenge that he becomes ruthless and cruel. Even to the point of being rude to one of my favorite 50s scream queens, Marie Windsor. But Jones justifies his actions in order to get some answers about his brother who had stayed in Windsor's hotel, the night he was murdered.

The graveyard scene in the beginning where Jones is digging up his brother's freshly dug grave while Cap McKellar (Walter Brennan) and Rod Main (Henry Morgan) just happen to drop by, is excellent. Jones gives Rod a warning that he'll never forget. See, he believes someone in McKellar 's Circle-K outfit is responsible for what happened.

McKellar is about to take the Circle-K on a cattle drive to Montana and sell his beef to the army. He's so impressed with Jones that he hires him on as trail boss after Jones is forced to shoot his regular foreman, Big Mart (Leif Erickson) in an excellent gun duel in the saloon. Windsor goes along after selling her saloon for 1/3 of the cattle, which makes Jones even more hostile because he doesn't want a woman going along on the cattle drive.

Of course all the other trail hands would love to put a bullet in Jones' back because he misjudges everyone that's around him. We even get to a point where the viewer doesn't know whether Jones is the good guy or not. That's how distasteful he gets. He treats them all mean and sadistic, showing little compassion and mercy. Jones suspects everyone including Marie Windsor, but events will occur that'll prove him wrong.

First, Rod Main gets shot during an attempted gun duel with Jones by someone else. Then he suspects Bill has a derringer hidden in his boot and punches and humiliates him in front of everyone else until he finds out Bill's wearing a leg brace. Bill doesn't let anyone know about it because he's ashamed of being seen as a 'cripple'.

The ending is a real shocker. It's one that comes from out of nowhere, where the real culprit meets divine retribution without Jones having to do anything. You'll have to see the film to find out what I'm talking about because I ain't telling. (heh..)

It's a film that makes you wonder what's gonna happen next and I wholeheartedly recommend it.

7 out of 10

La Pistolita

[bkoganbing · 8/10 · 29 January 2009]

The Showdown is one unusual western product from Herbert J. Yates's Republic Pictures. It's a vengeance quest tale the kind of thing Randolph Scott would be doing in his westerns. Wild Bill Elliott, hero to many a kid for being Red Ryder plays a mean and vicious former state Texas policeman on the trail of someone who shot his brother in the back. The film also bears a lot of resemblance in the production values to the Dick Powell western, Stagecoach West.

The film opens with Elliott digging up his brother's body at the graveyard, an unusual enough opening for a western. 19th century forensics shows Elliott that his brother was killed, shot in the back with a derringer. It's the only clue he's got to the identity of the perpetrator.

Cattleowner Walter Brennan hires Elliott to drive his herd through to Montana. Elliott was a member of the Texas Police when Texas was under carpetbagger rule. The mostly ex-rebels who are Brennan's hands have a hate on for Elliott on general principles. He hires on because he's got reason to suspect his culprit will be on the cattle drive.

Take a look down the cast list and you'll see that we've got a treasure trove full of suspects, remembering the roles a lot of these people play in films. A few get killed along the way and are eliminated as suspects, some are eliminated by other means. I have to say that I guessed wrong myself as to the identity.

The Showdown teases you every minute of the film as to the identity of the murderer. Elliott schemes and searches his suspects for the owner of La Pistolita. In this great cast I have to say that one who stands out is Harry Morgan. He plays very much against type as a hot tempered young gunslinger, far from Colonel Sherman Potter of MASH as you can get.

When the identity of the killer is revealed the climax is in how it happens, how the individual meets his end and Elliott's reaction to same. The Showdown is a great example of blended genre, a western noir. It's a real crackerjack sleeper of a film and I think people who generally don't like westerns will gravitate to this film.

Cowboy film noire with excellent atmosphere and acting

[ekarle · 8/10 · 23 October 1999]

Wild Bill Elliott plays the mysterious loner out to solve the murder of his brother. The identity of his brother's killer was less mysterious to this viewer than to Wild Bill. It was fairly obvious before the film was half way over who did the dirty deed. But who cares when one is being treated to the acting of Wild Bill, Marie Windsor, and Walter Brennan. Elliot's serious, stoic stage presence was perfect for dark films like this. Too bad better directors failed to recognize his potential. Windsor and Brennan provide strong supporting characters.

Republic Goes Noir

[dougdoepke · 14 May 2007]

Too bad budget-cutting Republic pictures spent all their money on the script and cast of this surprising little sleeper. It left them none for badly needed location shots, or failing that, at least to improve on some of the poorly done process shots. Note the number of times the horsemen stand statically in front of a backscreen projection instead of riding across a natural scene These cost-cutters count here, because otherwise this is an unnoticed little gem not usually expected from the likes of Saturday-matinée Republic. The script is excellent with a number of surprises, and holds interest throughout. The main cast (Elliot, Brennan, Windsor), along with supporting players (Morgan, Williams, Ching) are as good as could be expected from the major studios. Only Nacho Galindo's buffoonish comic-relief suggests Republic's usual fare. Actually, this is a noir Western produced at a time when film noir dominated many urban crime dramas. The atmosphere here, especially the stormy opening scene, reminds me of the fine Bob Mitchum Western, Blood on the Moon, which also made good use of brooding night-time sets. Then too, Elliot's revenge-obsessed "bad good-guy" strikingly anticipates Randolph Scott"s running character in Budd Boetticher's cult Westerns of the late 1950's. Anyway, this is a surprisingly good little drama, despite the shortcomings.

A surprising and interesting story.

[kfo9494 · 7/10 · 4 February 2017]

This could have been an excellent western movie had they not tried to be so cheap in production. Instead of filming on location with vaulting mountains and wide open scenes, we are left with filming on a back lot with very little scenery and projected background landscape. And with such gifted actors in most parts it was puzzling on why they put stiff actor Bill Elliott as the lead man. I know he has played the lead in many B-westerns but with the cast of actors in this film, he stood out like a sore thumb.

But passing on Elliott's mannequin performance, the rest of the cast seemed to flow effortless and made the story entertaining to watch. There was a few spots hard to watch but overall this film provided enough interest throughout to keep the viewer on the edge of the seat right to the end of the movie. Was actually expecting very little from this movie but was pleasantly surprised. This is a film that you ask yourself, What could have been?

A Cowboy with Revenge in His Heart

[Uriah43 · 6/10 · 16 September 2021]

This film begins on a cold, dark night with a former Texas State Policeman by the name of "Shadrach Jones" (Bill Elliott) in the process of digging up the grave of a man who had been killed just a week before. As it so happens, he is spotted by two cowboys named "Cap MacKellar" (Walter Brennan) and "Rod Main" (Harry Morgan) who immediately demand to know what he is doing. In response, Shadrach tells them that he needs to know the identity of the man buried in this grave in order to ascertain if it is his brother or not. However, it's when he tells them that he used to work for the Texas State Police that Rod becomes extremely hostile toward him which results in Cap intervening to prevent a shootout right there and then. That being said, since it is obvious that Shadrach is intent upon finishing up what he started the two cowboys ride off with Cap telling him that he hopes the man buried there is not his brother--so Shadrach can ride off before any trouble starts. Unfortunately, Shadrach soon discovers that the body in the grave is in fact his brother and--like Cap MacKellar feared--trouble soon begins which nobody seems capable of stopping. Now rather than reveal any more, I will just say that this turned out to be a pretty good Western thanks in large part to a number of good actors and some good mystery along the way. Admittedly, I would have liked a bit more suspense here and there but, even so, it still turned out pretty well and I have rated it accordingly. Slightly above average.

Revenge for the brother robbed and shot in the back.

[michaelRokeefe · 8/10 · 12 March 2015]

Cowboy hero Wild Bill Elliott in his last movie for Republic Pictures. A stalwart of the genre, Elliott plays Shadrach Jones, a Texas State Policeman who gives up his badge to hunt down the man that shot his brother in the back, while robbing him of money set aside to purchase an Arizona ranch. Shad believes that the man he is looking for will be working on a cattle drive for Cap Mackellar(Walter Brennan). Jones takes on the job as trail boss with intent of finding the guilty man. Revenge or retribution? Justice or payback? Actually a B Western with a top notch cast making THE SHOWDOWN a must see. The cast also includes: Marie Windsor, Harry Morgan, William Ching, Jim Davis, Leif Erickson and Rhys Williams.

Interesting Film Noir Western

[doug-balch · 3/10 · 19 June 2010]

You might want to take a peek at this Western.

Here's what I liked:

• Very unusual appearance by Harry Morgan as a tough henchman. Morgan spent most of his career playing buffoons.

• Pretty well executed film noir technique, which is odd to see in the Western format. The film has an effective hard edge to it, especially considering how low budget it is.

• I always like watching Walter Brennan play against type.

Here's what I didn't like:

• There's nothing really Western about that movie except costumes. This is an urban detective who-dun-it simply transposed to a Western setting.

• Cheap production, completely back lot,

• William Eliot is not a very good lead.

• Ridiculous stereotyping of Mexican character.

The Showdown? Hope that was all it Showed

[gleetroy · 3/10 · 27 March 2010]

Artistic Western? That one reviewer must have been hitting the Hoppy Juice a bit too often. I guess he thinks any Western that's not a clash over water rights is "artistic." This piece of junk was obvious from the start (Surprise? You thought the girl did it?)

Also "the cast was excellent , including Elliot?" He was stiffer than the oak tress in the background. I guess I can't take too much "Art" in my Westerns. Give me "Stagecoach" anytime.

The Showdown. Bill Elliot. Was old Elliot Wooden School of Acting Guru a regular Republic leading man? Why was Walter Brennan playing that type of character at that point in his career?

Dark character play. Not your typical B-Western!

[BigVic-4 · 4 April 2000]

This movie makes my top-ten list of greatest westerns. Great acting from the usually laughable Wild Bill Elliot, great direction and awesome character development along with a good mystery. The subtle dialog from Elliot brings a new light to his acting ability.

Eloquent and forceful

[discount1957 · 3 August 2010]

Like many of Republic's B Westerns of this period, this was shot on sound stages with back-projection and process-work standing in for the big blue yonder once so much a part of the western.

Nonetheless, like 'Hellfire' (1949), also scripted by the McGowans, this was a fitting end to Elliott's long stay with Republic. The interesting script has Elliott on the trail of the murderer of his brother and joining a wagon train knowing that one of the men is the guilty one. In an attempt to find out which one, he pushes men and cattle beyond their natural endurance. Brennan, cast against type as the quiet and friendly man who is finally gored to death, is the guilty one and Windsor is the saloon keeper who buys an interest in the herd and travels with it.

The direction is as eloquent as the screenplay and elliott plays his forceful role to the hilt.

Phil Hardy

Not that bad western with an unikely cast

[searchanddestroy-1 · 1 January 2023]

I would have never thought that Walter Brennan would have played in a western - or any other movie - costarring Wild Bill Elliott. Very unlikely, but Marie Windsor's presence makes us forget this strange cast. The story, the scheme, is rather unusual for a western, because a mystery link is not what you expect to find out in such a film. And I say "Why not?" after all. This is not a brilliant movie, but worth the ride, made by a couple of directors whom I have never heard of before and who seem to have made some more films after this one, features destined to kids for Sunday matinees. Good stuff.