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Shakedown (1950)

7.0
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Ratings: 7.0/10 from 104 users  
Reviews: 3 user | 5 critic

Jack Early is a go getting photographer who is determined to make a name for himself. He manages to be hired by a major San Francisco newspaper and from then on he is prepared to do ... See full summary »

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Cast

Complete credited cast:
...
Jack Early
...
Nick Palmer
Peggy Dow ...
Ellen Bennett
...
Harry Colton
...
David Glover
Anne Vernon ...
Nita Palmer (as Ann Vernon)
Charles Sherlock ...
Sam, Colton's Henchman
...
Ted, the Night Club Doorman
...
Hat Check Girl
Joseph Pevney ...
Keller the Reporter
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Storyline

Jack Early is a go getting photographer who is determined to make a name for himself. He manages to be hired by a major San Francisco newspaper and from then on he is prepared to do anything to achieve his aim. Undaunted by anything, Early sinks into the underworld where gang boss Nick Palmer takes him under his wing. Thanks to him, Jack can take sensational snapshots of heisters at work. Which is not enough for him. Soon, thinking he is protected by the compromising photos he keeps taking, he starts manipulating and double crossing hoodlums, including his mentor Nick Palmer... Written by Guy Bellinger

Plot Summary | Add Synopsis

Taglines:

His camera Was More Deadly Than A Gangster's Gun!


Certificate:

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Details

Country:

Language:

Release Date:

1 September 1950 (USA)  »

Also Known As:

The Magnificent Heel  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Trivia

Finnish censorship visa #33250 delivered on 7-12-1950. See more »

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User Reviews

 
Shakedown (1950)
3 January 2012 | by (Portland OR) – See all my reviews

A rising star photographer starts using his journalistic influence for personal profit... and sets two gangsters against each other. Ruthless and cynical, with one of the most despicable protagonists this side of Mike Hammer. This guy is a real piece of work, a sleazy manipulator who doesn't care who suffers for his gain. Howard Duff (probably best known to noir aficionados for THE NAKED CITY) plays it completely unsympathetic, delivering his lines with barely concealed contempt and ambition. The supporting performances are all pretty good, too, with special mention for the always intimidating Lawrence Tierney. The story is lean and mean, like the production. It's a decidedly low-budget affair, a little more polish might have amped up the tension (though I should note I watched a very rough copy). The film doesn't pack much of an emotional punch, but it is a down and dirty good time.


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