Tom is desperate for sleep after a night of revelry with his friends, but Mammy Two-Shoes demands that he stay awake to keep the mouse out of the refrigerator. Jerry, being a clever mouse, sees his opportunity to get rid of the cat.
Tom is the official cat on the cruise ship S.S. Aloha, but he'll be kicked off if the captain finds even one mouse. That one, of course, is Jerry, who sneaks on board just before sailing ... See full summary »
A Spanish cat is more interested in playing flamenco guitar than trying to catch the mouse El Magnifico (Jerry). Tom arrives from the States with world champion mouse-catching credentials ... See full summary »
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Mammy's stepping out for the evening (to play cards, as it turns out). While she's way, the cats will play: in this case, Tom and three of his alley cat friends. Their music keeps Jerry awake, so he takes action. His first strike silences them only long enough for him to return to his hole. They lure him out by restarting the music, and the chase is on: four against one. Jerry holds out for a while, but is soon tied with the cord from the venetian blinds, and the cats resume. Jerry manages to crawl to the phone and call Mammy, who comes running and throws all four cats out. But Jerry's peace is short-lived: Mammy decides to salvage what's left of the evening by listening to some music. Written by
Jon Reeves <email@example.com>
The title refers to the Saturday Evening Post, a magazine that publishes current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry, single-panel gag cartoons and stories by the leading writers that has roots in Benjamin Franklin's The Pennsylvania Gazette that was first published in 1728. The magazine is also well-known for its lavish cover art that include the work of Norman Rockwell. See more »
When the piano-playing cat slides Jerry down the piano, he is sliding Jerry from the right of the keyboard to the left of the keyboard (high notes to low notes). However, the sound coming from the piano appears to be the opposite of what was showing (i.e. low notes to high notes). See more »
Three things make this Tom&Jerry cartoon stand out from the crowd:
We see more of Mammy Two-Shoes than ever, not just her face but also
a bit of her social life.
It is one of the relatively few cartoons where Jerry doesn't get a
total triumph at the end.
It is filled with good 50's jazz music.
And it is even more. Tom has a whole gang of friends, and the cat(s)-vs-mouse chase, although basically the same as usual, is filled with gags around musical instruments. Jerry is even reshaping into the musical instruments he hear.
Finally, it is one where censorship has done most work, with two revisions, first replacing Mammy Two-Shoes voice with a smoother, bland voice, and then redrawing a lot of it to replace her with a skinny white girl. And every change made it worse (except possibly replacing cards by dancing). I find it hard to see how Mammy Two-Shoes could be severely racist where she is clearly the master of her house, not always obvious in other cartoons, and replacing an overweight middle-aged black woman with an almost anorectic white girl is hardly a step forward, limiting both age, weight and skin color to something considered "right". Is it a good move to remove strong, independent black women from the screen? I know the voice is cliché but nothing more, and many new movies are worse (the new Ladykillers, the Rush Hour series...). If Chris Tucker can make fun of "black language" why can't Mammy Two-Shoes?
So it has all the action and gags of an above average cartoon, but with these unique features on top. Not mind-blowing unique but quite significant.
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